Valerie Sayers Quotes
Wolf Boy is absolutely beguiling. Evan Kuhlman has boundless empathy for all his characters, and his wonderful protagonist Stephen is, in turn, boundlessly inventive. . . . This is an auspicious debut.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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I went out with this boy on the proviso that he didn't tell anybody we were together. The idiot didn't keep his mouth shut. I dumped him. I never went out with a boy from school again.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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That was really cool. I got to kiss a little boy. I was 7 and he was 10, and his name is Thomas Curtis. He was the first boy I've ever kissed in my entire life and he was three years older than me.
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When you choose your friends, don't be short-changed by choosing personality over character.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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I always wanted to be in a boy band since I was a kid.
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One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
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When people think girl adventurers, they tend to think of a spunky, plucky tom-boy with a chip on her shoulder. I'm not saying that this makes for a dull character, but I think other types of adventurous girls exist. It's easy to fall into well-established tropes, believing that the tropes of a genre define the genre itself.
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To be able to let you know who someone is in just a couple of words, I'd have to pick the most pronounced features of a character's personality. And I always feel like I'm leaving out so many important little ones.
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Your bird drinks whiskey and eats tobacco?" The old man frowned."Just be lad he doesn't like eatin' scrawny boys that don't know their way 'round the Otherworld.
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When I was in the U.S. for 'Swimming Pool,' people had asked me, 'So are you going to settle down in Hollywood?' And I said, 'No, I'm French! I am living in France. I am not going to be American.'
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Before signing any contract, you have to assume that the guy on the other side of the desk is handing you a shifty piece of paper that works to his advantage. I know that sounds cynical, but it's really that simple.
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Character is not created on the spot.
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Wolf Boy is absolutely beguiling. Evan Kuhlman has boundless empathy for all his characters, and his wonderful protagonist Stephen is, in turn, boundlessly inventive. . . . This is an auspicious debut.
