Paco de Lucía (Francisco Gustavo Sánchez Gomes) Quotes
As a young man, my greatest inspiration was [flamenco singer] Camaron de la Isla, no doubt. That was the best time of my life I would say. I learned so much and matured in this period. Later, my collaboration with Chick Corea, John [McLaughlin] and Al [Di Meola] in the guitar trio was something very special. I was very afraid in the beginning how to play with these fine musicians. But I found my way and I'm sure their playing also changed my music a lot.
Quotes to Explore
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I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
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I didn't want to set up a women's studies program. I thought women should learn to operate in a coeducational atmosphere, because, especially in national security and international affairs, it's male-dominated.
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You cease to move into yourself, away from others. You give up your antagonism. You begin to move toward others in love. God moved toward you in gracious, outgoing love, and you move toward others in that same outgoing love.
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The thing that can get kind of annoying is, when you travel so much, how hectic it gets. I was being interviewed once - it was a phone interview - and they said, 'Where are you right now?' and I didn't know where I was.
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Australia has a very big history of incarceration. What does that mean to us? What does it mean that we came over to a country that's not necessarily ours and filled it with white prisoners?
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He who awaits much can expect little.
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I am not opposed to intelligence reform on its face, but any changes should reflect the current context.
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I was a Presbyterian minister at a small church in Omaha, Nebraska.
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Nashville is only a couple of hours from New York, and people just move at a slower pace there - and they don't care who you are or what you do.
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One of the more difficult tasks for me as president was to decide on the issue of confirming capital punishment awarded by courts... to my surprise... almost all cases which were pending had a social and economic bias.
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I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
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I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
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I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
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A politician is an arse upon which everyone has sat except a man.
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I can always tell if a band has a British rhythm section due to the gritty production.
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I speak for all Malaysians in expressing my admiration for the Queen and the grace, poise and selflessness with which she has carried out her duties during her long reign. She represents the very best of British traits: dignity, resilience and hard work.
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At MTV, it's very nice sometimes to be able to be very specific. Specificity really makes a news story interesting because you can color it in that personality.
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In a person who is open to experience each stimulus is freely relayed through the nervous system, without being distorted by any process of defensiveness.
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It's easier to write about a celebrity, a personality, than it is to dig in and write about the music.
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Our intent of how we're going to play doesn't change.
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Music means itself.
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I started in 1921 to write on the foundations of an approach to international trade theory that was to some extent new and for which I received the inspiration during a stroll on the popular promenade Unter den Linden in Berlin in 1920.
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I'm quite into listening to music and not doing anything else.
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As a young man, my greatest inspiration was [flamenco singer] Camaron de la Isla, no doubt. That was the best time of my life I would say. I learned so much and matured in this period. Later, my collaboration with Chick Corea, John [McLaughlin] and Al [Di Meola] in the guitar trio was something very special. I was very afraid in the beginning how to play with these fine musicians. But I found my way and I'm sure their playing also changed my music a lot.
