Isaac Hayes Quotes
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.

Quotes to Explore
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William Lloyd Garrison was up there with Frederick Douglass being thrown off trains and going through what happened in the 1960s in 1840 in Boston.
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In the movies, the writer is just the servant, the employee.
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I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
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People are overwhelmed looking up at the Mount Everest of environmental challenges that we face. But you put one foot in front of the other and you recognize that not everyone is Sir Edmund Hillary.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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Whenever you choose power over love, you will never find true happiness.
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I'd rather have people really be able to step back and get their money's worth and look at me as a true artist than somebody who is just regurgitating other material.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
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What winning is to me is not giving up, is no matter what's thrown at me, I can take it. And I can keep going.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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I learned that I truly am a fighter and that I cannot give up.
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You must go after your wish. As soon as you start to pursue a dream, your life wakes up and everything has meaning.
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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Life would be very dreary if there were no magic. If the real world were only that veil of tears, I just don't think could get up in the morning.
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I am a bit sickie happy. I am prone to black clouds too, but... I am embarrassed about them. It's like: 'My diamond shoes are too tight. My money clip doesn't fit all my fifties.' I mean - really. Shut up.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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Men live by production, but the State lives by appropriation. While the haves and the have-nots struggle over the division of existing wealth, it is the business of the State to improve itself at the expense of both; it picks up the marbles while the boys are fighting. That has been the story of men in organized society since the beginning.
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I regret waiting until my mid-twenties to really start seeing the world. I think I should have taken more risks when I was younger and worried less about being ready to grow up.
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May the perfect grace and eternal love of Christ our Lord be our never-failing protection and help.
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My new dressing goal is to make little kids and babies smile at all the bright, clashing colours I can wear at once. It makes me laugh when I catch sight of my own reflection - life is too short not have fun!
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'Hamlet' is so modern; 'Coriolanus' is utterly alien to our consciousness, and that makes it difficult for us.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.