Vincent Van Gogh Quotes
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Quotes to Explore
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I think being idle is quite hard for me to do.
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When I do retire, I will miss the trips with the team, the jokes with my teammates, the habits: having breakfast with them, playing with them, all the little things.
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I'm an artist at heart.
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During my captivity, I felt abandoned by everyone apart from my family and supporters, because there was no part of the political spectrum that would want me released.
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I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.
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It's nice for me to be in touch with a younger generation.
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Many people in this world are still so identified with every thought that arises in their head. There is not the slightest space of awareness there.
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There aren't many athletes who follow their hearts. They choose to go somewhere to win more and earn more money. They're like gypsies.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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The pressure on women to be thin is like a plague. I have gone through my life, like a lot of women, rating my experiences on the basis of, 'Was I thin at that time or fat?' And it doesn't seem to let up.
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The squandering of oil and gas is associated with one of the greatest tragedies, not in the least resolved, which is suffered by humankind: climate change.
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I don't think I have the ability or patience to teach badminton to others.
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I don't think a reggaeton song will break again like 'Gasolina' did.
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Some writers think that fiction is the space of great neutrality where all humans share the same concerns, and we are all alike. I don't think so. I'm interested in class warfare because I think it's real.
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The situation in Syria is quite different from Libya.
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If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.
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Simperium seems like a genuine utility for our own apps, and for other people as a service. And Simplenote, as a product, I love, and it's just darn handy.
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I don't think one should attribute the success and failure of a film to a single actor. When you decide to do a film, you weigh the pros and cons before taking a call. Only when you run out of patience, get insecure, and feel your career is heading nowhere do you sign anything that comes your way.
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There's nothing like coming home here, having the day off or morning off and going surfing. In Orlando I don't know what I would do.
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There's also a lot of gritty Americana type of bands. I actually have a lot of Britpop on my iPod, too.
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Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
