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	Cedric Gibbons was the grand cardinal of the art department.   
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	Dali was the great painter then and surrealism was a way of life.   
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	But surrealism is present in most of my pictures.   
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	I had given up the theater and everything propelled me into entertainment. And I didn't resist it.   
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	I always have coffee without sugar, you know. Just cream.   
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	I always liked the Van Gogh story because I was terribly involved in that.   
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	But I think musicals are going to have to deal with important subjects.   
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	No, I only like whether I like the story or not, essentially see something in it that isn't completely there.   
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	But I went down to Venezuela and spend a few weeks going through jungles. It's fantastic looking.   
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	The Pirate is surrealism and so, in a curious way, is Father of the Bride.   
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	American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.   
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	It's always the story that interests me.   
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	I allow an area for improvisation because the chemical things actors bring to stories make it not work.   
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	I see wonderful films by Bertolucci, Visconti, and Fellini.   
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	If anybody reads a story in a magazine or book, different pictures compete in their minds.   
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	I've worked with an awful lot of people. Katy Hepburn, Spencer Tracy.   
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	Designing Woman was written for the screen.   
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	I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.   
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	I seem to be drawn to things that actually happen.   
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	Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.   
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	West Side Story was terribly important because of the style of the dancing and the gangs of New York.   
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	If you want to learn how to sing, listen to Ella Fitzgerald.   
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	The Long, Long Trailer (1954) actually happened and the man wrote a book about it. Father of the Bride, same thing; a banker wrote that who had never written anything else.   
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	It's the story that counts.   
