G. Gordon Liddy Quotes
Quotes to Explore
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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Thanks to the Japanese and Geronimo, John Wayne became a millionaire.
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I didn't have children, but I never wanted children.
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Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
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I wanted to make Canadian films, and I ended up making American films.
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I became conflicted in my late teens.
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I wanted to be Katharine Hepburn-ish – there was a bit of nobility about her.
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The advice that is wanted is commonly not welcome and that which is not wanted, evidently an effrontery.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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I always wanted to do a Disney movie.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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He was not a runner, my father, but he was quick. I always remember it was very difficult to escape from him when he was angry. If he wanted to beat us he would always catch us. Even me, he could always catch me.
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I wanted to be famous. I wanted people to talk about me.
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I've never wanted to be the boss.
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I wanted to shred, so I learned classical guitar.
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It's been a transformative period and I really wanted to make music from what I've experienced.
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No, I haven't asked for a guy's number, but I've always wanted to.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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Love Me Do, the first song we recorded, John was supposed to sing the lead, but they changed their minds and asked me to sing lead because they wanted John to play harmonica.
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All I ever wanted Was to know that you were dreaming.
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I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.
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In a world with weak aggregate demand, countries are engaging in a futile competition for a greater share of it. In the process, they are creating financial-sector and cross-border risks that will become increasingly apparent as countries exit their unconventional policies.
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Our judgments betray our expectations, and our expectations betray our experience. What we project about the future reveals a lot—about the world we live in, and about our own past.
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I became what I wanted to be.
