Virginia Woolf Quotes
Quotes to Explore
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I build community. However, I do it wearing a number of hats.
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Talent will only take you so far, and it is your ability to feel the music and explore a movement that will bring you the greatest pleasure in dance.
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People are not really that forgiving when they pay for tickets to come see you and you don't show up.
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I don't want to scrounge around and be homeless, and I want to finish my education.
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If I could gain 1,000 pounds and be healthy, I would love to do that.
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That's all TV acting is. Like, let me find my mark and seem like I'm still acting. Sometimes they'll put sandbags there, but then it's even funnier because you're walking and you're, like, stepping into sandbags, so now you look like you're having a seizure.
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I go to the gym in the morning to warm up, and then I go to the mountain and train. Then I come home and go to the gym again to recover. But on travel days, you get pretty much no physical exertion.
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In general, being likeable is more about being interested - rather than interesting. Indeed, a good way to convince someone that you are an awesome conversationalist is to simply shut up and let the other person talk.
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There's plenty of days when I don't want to eat chicken breast and broccoli and rice, but I know what I have to do, and I know the sacrifice I have to make.
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Be gentle to all and stern with yourself.
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Even though I resigned as Papandreou's adviser early in 2006 and turned into his government's staunchest critic during his mishandling of the post-2009 Greek implosion, my public interventions in the debate on Greece and Europe have carried no whiff of Marxism.
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It requires wisdom to understand wisdom: the music is nothing if the audience is deaf.
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There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
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The New Deal's enmity for that system of free and competitive private enterprise which we call capitalism was fundamental.
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One day, I'll be listening to a bunch of Ray Charles, the next day it's nothing but Red Hot Chili Peppers. The next day it might be Tupac all day.
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The terror of the atom age is not the violence of the new power but the speed of man's adjustment to it, the speed of his acceptance.
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I feel like if we can use the combination of basically data-driven hunches and bet on really first-class talent to deliver the shows, that I think we could do as well as the networks do, who basically have a 75 to 80 percent failure rate for new shows anyway - even after all that development and pilot work.
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I have very eclectic tastes.
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I don't answer the phone or do my email; I don't do anything until I've got the day's writing done. I have a word count for every day: 500 for fiction, 1,000 for non-fiction, and journalism is 1,500. That's a level I can sustain.
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What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
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There is a type of snobbish, pompous journalist who thinks that the only news that has any validity is war, famine, pestilence or politics. I don't come from that school.
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In poetry, I have, since very young, loved poetry in translation. The Chinese, the French, the Russians, Italians, Indians and early Celts: the formality of the translator's voice, their measured breath and anxiety moves me as it lingers over the original.
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Journalists can get very pompous, especially in the formalized days of 'Meet the Press,' when they took themselves so damned seriously.
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War is not women's history.
