Virginia Woolf Quotes
When I am grown up I shall carry a notebook—a fat book with many pages, methodically lettered. I shall enter my phrases.
Quotes to Explore
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I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world. This is the perfect job for me.
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There is a great deal of pain in life and perhaps the only pain that can be avoided is the pain that comes from trying to avoid pain.
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If a man begins writing at thirty, by the time he is fifty or sixty, the bulk of his work has been done. By the time he is eighty, he's got nothing more, you know?
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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I feel like we all have our skeletons.
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I enjoy building more than managing.
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I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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Rarely do we stop and consider whether the most prestigious of institutions is always in our best interest.
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Working manually is not considered bad in the U.S.
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I do make a good ragu pasta, which everyone seems to like. Or that could be just me talking; who knows what they really think. I actually stole the recipe from my older sister Vera, who also loves to cook. I took all my recipes from her.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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I have had an amazing career for a man who hits things for a living.
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You need to train your brain to be positive.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'
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Write what you like; there is no other rule.
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Thank you, people who say 'Wow, you're really photogenic,' for not saying what you really mean: 'Wow, you're really ugly in person.'
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I learned quickly, as I tell my graduate students now, there are no answers in the back of the book when the equipment doesn't work or the measurements look strange.
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It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.
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I hope that the message I conveyed in 'Julie of the Wolves' is to tell young people to think things out. Think independently.
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I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.
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When I am grown up I shall carry a notebook—a fat book with many pages, methodically lettered. I shall enter my phrases.
