Virginia Woolf Quotes
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This self now as I leant over the gate looking down over fields rolling in waves of colour beneath me made no answer. He threw up no opposition. He attempted no phrase. His fist did not form. I waited. I listened. Nothing came, nothing. I cried then with a sudden conviction of complete desertion. Now there is nothing. No fin breaks the waste of this immeasurable sea. Life has destroyed me. No echo comes when I speak, no varied words. This is more truly death than the death of friends, than the death of youth.
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If only she could put them together, she felt, write them out in some sentence, then she would have got at the truth of things.
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The habit of writing for my eye is good practice. It loosens the ligaments.
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I attain a different kind of beauty, achieve a symmetry by means of infinite discords, showing all the traces of the mind's passage through the world, achieve in the end some kind of whole made of shivering fragments.
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At last she shut the book sharply, lay back, and drew a deep breath, expressive of the wonder which always marks the transition from the imaginary world to the real world.
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A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.
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A very elementary exercise in psychology, not to be dignified by the name of psycho-analysis, showed me, on looking at my notebook, that the sketch of the angry professor had been made in anger. Anger had snatched my pencil while I dreamt. But what was anger doing there? Interest, confusion, amusement, boredom--all these emotions I could trace and name as they succeeded each other throughout the morning. Had anger, the black snake, been lurking among them? Yes, said the sketch, anger had.
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How then did it work out, all this? How did one judge people, think of them? How did one add up this and that and conclude that it is liking one felt, or disliking?
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There is no room for the impurities of literature in an essay.... the essay must be pure--pure like water or pure like wine, but pure from dullness, deadness, and deposits of extraneous matter.
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It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.
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Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table--it is running among your books and papers. Now you mop it up, clumsily, with your pocket-hankerchief. You then stuff your hankerchief back into your pocket--that is not Byron; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.
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Intellectual freedom depends upon material things.
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The grey nurse resumed her knitting as Peter Walsh, on the hot seat beside her, began snoring. In her grey dress, moving her hands indefatigably yet quietly, she seemed like the champion of the rights of sleepers, like one of those spectral presences which rise in twilight in woods made of sky and branches. The solitary traveler, haunter of lanes, disturber of ferns, and devastator of hemlock plants, looking up, suddenly sees the giant figure at the end of the ride.
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But the close withdrew: the hand softened. It was over-- the moment.
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For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.
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It is only by putting it into words that I make it whole. This wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together
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The best letters of our time are precisely those that can never be published.
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[Final diary entry:] Occupation is essential. And now with some pleasure I find that it's seven; and must cook dinner. Haddock and sausage meat. I think it is true that one gains a certain hold on sausage and haddock by writing them down.
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A self that goes on changing is a self that goes on living.
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When she read just now to James, 'and there were numbers of soldiers with kettledrums and trumpets,' and his eyes darkened, she thought, why should they grow up, and lose all that?
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Then may I tell you that the very next words I read were these – ‘Chloe liked Olivia…’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women.
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We agreed that people are now afraid of the English language. He [T.S. Eliot] said it came of being bookish, but not reading books enough. One should read all styles thoroughly.
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Tragedies come in the hungry hours.
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They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each others' faces, and hear whatever they chanced to say.