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I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
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It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.
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What I like, or one of the things I like, about motoring is the sense it gives one of lighting accidentally, like a voyager who touches another planet with the tip of his toe, upon scenes which would have gone on, have always gone on, will go on, unrecorded, save for this chance glimpse. Then it seems to me I am allowed to see the heart of the world uncovered for a moment.
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This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant.
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Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.
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At last she shut the book sharply, lay back, and drew a deep breath, expressive of the wonder which always marks the transition from the imaginary world to the real world.
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His eyes were bright, and, indeed, he scarcely knew whether they held dreams or realities...and in five minutes she had filled the shell of the old dream with the flesh of life.
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Nothing thicker than a knife's blade separates happiness from melancholy.
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To enjoy freedom we have to control ourselves.
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We agreed that people are now afraid of the English language. He [T.S. Eliot] said it came of being bookish, but not reading books enough. One should read all styles thoroughly.
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I went from one to the other holding my sorrow - no, not my sorrow but the incomprehensible nature of this our life - for their inspection. Some people go to priests; others to poetry; I to my friends, I to my own heart, I to seek among phrases and fragments something unbroken - I to whom there is no beauty enough in moon or tree; to whom the touch of one person with another is all, yet who cannot grasp even that, who am so imperfect, so weak, so unspeakably lonely.
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Was not writing poetry a secret transaction, a voice answering a voice?
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Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.
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She had read a wonderful play about a man who scratched on the wall of his cell and she had felt that was true of life — one scratched on the wall.
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When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing.
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Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
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Different though the sexes are, they inter-mix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is very opposite of what it is above.
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Women and fiction remain, so far as I am concerned, unsolved problems.
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The best letters of our time are precisely those that can never be published.
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But I beneath a rougher sea, And whelmed in deeper gulfs than he.
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Moreover, a book is not made of sentences laid end to end, but of sentences built, if an image helps, into arcades or domes.
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We scarcely wish to analyse what we feel to be so large and deeply human.
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Then may I tell you that the very next words I read were these – ‘Chloe liked Olivia…’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women.
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If one is to deal with people on a large scale and say what one thinks, how can one avoid melancholy? I don’t admit to being hopeless, though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one.