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And you wish to be a poet; and you wish to be a lover.
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They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each others' faces, and hear whatever they chanced to say.
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But I beneath a rougher sea, And whelmed in deeper gulfs than he.
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Oh, but she never wanted James to grow a day older or Cam either. These two she would have liked to keep for ever just as the way they were, demons of wickedness, angels of delight, never to see them grow up into long-legged monsters.
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What does the brain matter compared with the heart?
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Her life-that was the only chance she had-the short season between two silences.
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It is probable that both in life and in art the values of a woman are not the values of a man.
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All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.
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For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.
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We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
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All extremes of feeling are allied to madness.
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Was not writing poetry a secret transaction, a voice answering a voice?
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We insist, it seems, on living.
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What I like, or one of the things I like, about motoring is the sense it gives one of lighting accidentally, like a voyager who touches another planet with the tip of his toe, upon scenes which would have gone on, have always gone on, will go on, unrecorded, save for this chance glimpse. Then it seems to me I am allowed to see the heart of the world uncovered for a moment.
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Fear no more, says the heart.
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To be nothing - is that not, after all, the most satisfactory fact in the whole world?
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To enjoy freedom ... we have of course to control ourselves. We must not squander our powers, helplessly and ignorantly, squirting half the house in order to water a single rose.
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Women alone stir my imagination.
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Odd how the creative power at once brings the whole universe to order.
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So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.
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Well, we must wait for the future to show.
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madam," the man cried, leaping to the ground, "you're hurt!" "I'm dead, sir!" she replied. A few minutes later, they became engaged.
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It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized.
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If we help an educated man's daughter to go to Cambridge are we not forcing her to think not about education but about war? - not how she can learn, but how she can fight in order that she might win the same advantages as her brothers?