Virginia Woolf Quotes
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Now the writer, I think, has the chance to live more than other people in the presence of ... reality. It is his business to find it and collect it and communicate it to the rest of us.
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madam," the man cried, leaping to the ground, "you're hurt!" "I'm dead, sir!" she replied. A few minutes later, they became engaged.
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Yes, yes, I'm coming. Right up the top of the house. One moment I'll linger. How the mud goes round in the mind-what a swirl these monsters leave, the waters rocking, the weeds waving and green here, black there, striking to the sand, till by degrees the atoms reassemble, the deposit sifts itself, and a gain through the eyes one sees clear and still, and there comes to the lips some prayer for the departed, some obsequy for the souls of those one nods to, the one never meets again.
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No passion is stronger in the breast of a man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high.
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The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain.
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It is strange how a scrap of poetry works in the mind and makes the legs move in time to it along the road.
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Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going.
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A writer should give direct certainty; explanations are so much water poured into the wine.
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It seems as if an age of genius must be succeeded by an age of endeavour; riot and extravagance by cleanliness and hard work.
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Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
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I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in.
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Some people go to priests; others to poetry; I to my friends.
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Illusions are to the soul what atmosphere is to the earth.
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As nobody can possibly tell me whether one's writing is bad or good, the only certain value is one's own pleasure. I am sure of that.
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Oh, I am in love with life!
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But he could not taste, he could not feel. In the teashop among the tables and the chattering waiters the appalling fear came over him- he could not feel. He could reason; he could read, Dante for example, quite easily…he could add up his bill; his brain was perfect; it must be the fault of the world then- that he could not feel.
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I have sometimes dreamt ... that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards -- their crowns, their laurels, their names carved indelibly upon imperishable marble -- the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, "Look, these need no reward. We have nothing to give them here. They have loved reading.
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I have had my vision.
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O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
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Love had a thousand shapes.
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Praise and blame alike mean nothing. No, delightful as the pastime of measuring may be, it is the most futile of all occupations, and to submit to the decrees of the measurers the most servile of attitudes.
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But when the self speaks to the self, who is speaking? The entombed soul, the spirit driven in, in, in to the central catacomb; the self that took the veil and left the world -- a coward perhaps, yet somehow beautiful, as it flits with its lantern restlessly up and down the dark corridors.
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... if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us to break her and bullyher, as well as honour and love her, for so her youth is renewed and her sovereignty assured.
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Once she knows how to read there's only one thing you can teach her to believe in and that is herself.