-
Long ago I realized that no other person would be to me what you are.
Virginia Woolf
-
I find that when I've seen a certain number of people my mind becomes like an old match box -- the part one strikes on, I mean.
Virginia Woolf
-
I cannot remember my past, my nose, or the colour of my eyes, or what my general opinion of myself is. Only in moments of emergency, at a crossing, at a kerb, the wish to preserve my body springs out and seizes me and stops me , here, before this omnibus. We insist, it seems, on living. Then again, indifference descends.
Virginia Woolf
-
As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall.
Virginia Woolf
-
For if Chloe likes Olivia and Mary Carmichael knows how to express it she will light a torch in that vast chamber where nobody has yet been.
Virginia Woolf
-
The hatchet must fall on the block; the oak must be cleft to the centre. The weight of the world is on my shoulders. Here is the pen and the paper; on the letters in the wire basket I sign my name, I, I, and again I.
Virginia Woolf
-
Each had his own business to think of. Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.
Virginia Woolf
-
There is no doubt in my mind, that I have found out how to begin (at 40) to say something in my own voice.
Virginia Woolf
-
The melancholy river bears us on. When the moon comes through the trailing willow boughs, I see your face, I hear your voice and the bird singing as we pass the osier bed. What are you whispering? Sorrow, sorrow. Joy, joy. Woven together, like reeds in moonlight.
Virginia Woolf
-
I feel that by writing I am doing what is far more necessary than anything else.
Virginia Woolf
-
This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.
Virginia Woolf
-
How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?
Virginia Woolf
-
To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.
Virginia Woolf
-
So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.
Virginia Woolf
-
Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
Virginia Woolf
-
. . . to walk alone in London is the greatest rest.
Virginia Woolf
-
So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then.
Virginia Woolf
-
Life stand still here.
Virginia Woolf
-
...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.
Virginia Woolf
-
Thinking is my fighting.
Virginia Woolf
-
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
Virginia Woolf
-
With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.
Virginia Woolf
-
A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.
Virginia Woolf
-
Consolation for those moments when you can't tell whether you're the divinest genius or the greatest fool in the world.
Virginia Woolf
