Virginia Woolf Quotes
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There is no doubt in my mind, that I have found out how to begin (at 40) to say something in my own voice.
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The mind is the most capricious of insects — flitting, fluttering.
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I cannot remember my past, my nose, or the colour of my eyes, or what my general opinion of myself is. Only in moments of emergency, at a crossing, at a kerb, the wish to preserve my body springs out and seizes me and stops me , here, before this omnibus. We insist, it seems, on living. Then again, indifference descends.
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Each had his own business to think of. Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.
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The interest in life does not lie in what people do, nor even in their relations to each other, but largely in the power to communicate with a third party, antagonistic, enigmatic, yet perhaps persuadable, which one may call life in general.
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The melancholy river bears us on. When the moon comes through the trailing willow boughs, I see your face, I hear your voice and the bird singing as we pass the osier bed. What are you whispering? Sorrow, sorrow. Joy, joy. Woven together, like reeds in moonlight.
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To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.
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This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.
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It is probable that both in life and in art the values of a woman are not the values of a man.
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I feel that by writing I am doing what is far more necessary than anything else.
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How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?
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The hatchet must fall on the block; the oak must be cleft to the centre. The weight of the world is on my shoulders. Here is the pen and the paper; on the letters in the wire basket I sign my name, I, I, and again I.
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Life stand still here.
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Madness is terrific I can assure you, and not to be sniffed at; and in its lava I still find most of the things I write about. It shoots out of one everything shaped, final, not in mere driblets, as sanity does.
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One cannot bring children into a world like this. One cannot perpetuate suffering, or increase the breed of these lustful animals, who have no lasting emotions, but only whims and vanities, eddying them now this way, now that.
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Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
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. . . to walk alone in London is the greatest rest.
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So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then.
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...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.
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We live in constant danger of coming apart. The mystery of why we do not always come apart is the animating tension of all art.
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The current flows fast and furious. It issues in a spate of words from the loudspeakers and the politicians. Every day they tell us that we are a free people fighting to defend freedom. That is the current that has whirled the young airman up into the sky and keeps him circulating there among the clouds. Down here, with a roof to cover us and a gasmask handy, it is our business to puncture gasbags and discover the seeds of truth.
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A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.
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Nothing has really happened until it has been recorded.
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literature is the record of our discontent.