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So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then.
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Each had his own business to think of. Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.
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It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
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I feel all shadows of the universe multiplied deep inside my skin.
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Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
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I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement.
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The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.
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The proper stuff of fiction' does not exist; everything is the proper stuff of fiction, every feeling, every thought; every quality of brain and spirit is drawn upon; no perception comes amiss.
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The first duty of a lecturer: to hand you after an hour's discourse a nugget of pure truth to wrap up between the pages of your notebooks, and keep on the mantelpiece forever.
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Melancholy were the sounds on a winter's night.
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But why do I notice everything? She thought. Why must I think? She did not want to think. She wanted to force her mind to become a blank and lie back, and accept quietly, tolerantly, whatever came.
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I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
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Young women... you are, in my opinion, disgracefully ignorant. You have never made a discovery of any sort of importance. You have never shaken an empire or led an army into battle. The plays by Shakespeare are not by you, and you have never introduced a barbarous race to the blessings of civilization. What is your excuse?
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Humor is the first of the gifts to perish in a foreign tongue.
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For pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space ; the sense also of extreme fixity in passing objects ; and sounds very remote and then very close ; flesh being gashed and blood sparting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.” — Virginia Woolf, The Waves
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But what is more to the point is my belief that the habit of writing thus for my own eye only is good practice. It loosens the ligaments. Never mind the misses and the stumbles.
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Altogether, the task of estimating the length of human life is beyond our capacity, for directly we say that it is ages long, we are reminded that it is briefer than the fall of a rose leaf to the ground.
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A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.
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For the film maker must come by his convention, as painters and writers and musicians have done before him.
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There is no doubt in my mind, that I have found out how to begin (at 40) to say something in my own voice.
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When an arguer argues dispassionately he thinks only of the argument.
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Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
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. . . to walk alone in London is the greatest rest.
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You cannot find peace by avoiding life.