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My mind works in idleness. To do nothing is often my most profitable way.
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Once you fall, Septimus repeated to himself, human nature is on you. Holmes and Bradshaw are on you. They scour the desert. They fly screaming into the wilderness. The rack and the thumbscrew are applied. Human nature is remorseless.
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What is a woman? I assure you, I do not know ... I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill.
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Waves of hands, hesitations at street corners, someone dropping a cigarette into the gutter-all are stories. But which is the true story? That I do not know. Hence I keep my phrases hung like clothes in a cupboard, waiting for some one to wear them. Thus waiting, thus speculating, making this note and then an· other I do not cling to life. I shall be brushed like a bee from a sunflower. My philosophy, always accumulating, welling up moment by moment, runs like quicksilver a dozen ways at once.
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What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
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I mean it's the writing, not the being read, that excites me.
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Soup is cuisines kindest course
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Arrange whatever pieces come your way.
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But nothing is so strange when one is in love (and what was this except being in love?) as the complete indifference of other people.
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The eyes of others our prisons; their thoughts our cages.
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She had the perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very, dangerous to live even one day.
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One of the signs of passing youth is the birth of a sense of fellowship with other human beings as we take our place among them.
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Every season is likeable, and wet days and fine, red wine and white, company and solitude. Even sleep, that deplorable curtailment of the joy of life, can be full of dreams; and the most common actions──a walk, a talk, solitude in one’s own orchard──can be enhanced and lit up by the association of the mind. Beauty is everywhere, and beauty is only two finger’s-breadth from goodness.
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When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet. . . indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
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I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
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Among the tortures and devestations of life is this then - our friends are not able to finish their stories.
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If behind the erratic gunfire of the press the author felt that there was another kind of criticism, the opinion of people readingfor the love of reading, slowly and unprofessionally, and judging with great sympathy and yet with great severity, might this not improve the quality of his work? And if by our means books were to become stronger, richer, and more varied, that would be an end worth reaching.
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When I am grown up I shall carry a notebook—a fat book with many pages, methodically lettered. I shall enter my phrases.
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We live in constant danger of coming apart. The mystery of why we do not always come apart is the animating tension of all art.
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When the body escaped mutilation, seldom did the heart go to the grave unscarred.
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The art of writing has for backbone some fierce attachment to an idea.
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Methinks the human method of expression by sound of tongue is very elementary, and ought to be substituted for some ingenious invention which should be able to give vent to at least six coherent sentences at once.
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Boredom is the legitimate kingdom of the philanthropic.
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Illness is a part of every human being's experience. It enhances our perceptions and reduces self-consciousness. It is the great confessional; things are said, truths are blurted out which health conceals.