Virginie Fernandez (Virginie Ledoyen) Quotes
Quotes to Explore
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I'm not coming back to play.
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I was taught to play that way when I was in high school and even before I got to high school.
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Study first, play afterwards.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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Characters who don't suffer have no interest to me.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I prefer to be in a video than to play with it.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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The critic leaves at curtain fall To find, in starting to review it, He scarcely saw the play at all For starting to review it.
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My guilty pleasures are the websites where you can look at the fashions and see how different outfits will look. You can even take a picture of yourself and download it and play with the fashions! I love playing with these websites to see what I can learn.
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The Lampoon started in 1970, and I began writing freelance for them around the end of 1971, and then all through '72. They hired me in '73, and I left early in '81. I did everything from low puns to being editor-in-chief.
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Every child’s life is sacred and it is long past time that we protect it.
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Usually most characters I play are quite realistic.
