Vladimir Nabokov Quotes
A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.

Quotes to Explore
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I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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The fact is that people are good, Give people affection and security, and they will give affection and be secure in their feelings and their behavior.
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I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
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I'm here today because I hated everything else.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Whenever I do something, it seems so right. And turns out so wrong.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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I love baseball. And American Football, too. But not rugby.
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Growing up, I was always the small guy.
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There's plenty of days when I don't want to eat chicken breast and broccoli and rice, but I know what I have to do, and I know the sacrifice I have to make.
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I live in, literally, the same home when I was swiping my first bank card and wondering if I'd have to put back the Charmin. We still don't have a dishwasher. My mom has done all these gardens so now my house looks like the garden shack in the middle of Versailles.
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'The Fifth Gospel' is set entirely inside the Vatican and told from the perspective of a Catholic priest. I'm not Catholic myself, yet authenticity and factual accuracy are very important to me, so the novel required an enormous amount of research.
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When you make a decision to forgive it's a decision that you have to make intellectually.
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I still think of myself really as a New Yorker.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
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I can remember when I first went into the Himalayan area way back in 1951. Money, for instance, was not important at all to the local people. But now, finance has become just as important to them as it is to us, and this is a change maybe not for the better.
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I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
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He whom Love touches not walks in darkness.
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Legally speaking, there are no such things as 'public rights,' as distinguished from individual rights. Legally speaking, there is no such creature or thing as 'the public.'
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A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.