Vladimir Nabokov Quotes
A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.
Quotes to Explore
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I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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The fact is that people are good, Give people affection and security, and they will give affection and be secure in their feelings and their behavior.
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I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
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I'm here today because I hated everything else.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Whenever I do something, it seems so right. And turns out so wrong.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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I love baseball. And American Football, too. But not rugby.
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Growing up, I was always the small guy.
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There's plenty of days when I don't want to eat chicken breast and broccoli and rice, but I know what I have to do, and I know the sacrifice I have to make.
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I live in, literally, the same home when I was swiping my first bank card and wondering if I'd have to put back the Charmin. We still don't have a dishwasher. My mom has done all these gardens so now my house looks like the garden shack in the middle of Versailles.
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'The Fifth Gospel' is set entirely inside the Vatican and told from the perspective of a Catholic priest. I'm not Catholic myself, yet authenticity and factual accuracy are very important to me, so the novel required an enormous amount of research.
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I still think of myself really as a New Yorker.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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I don't want to put one innocent person to death to put 99 that are guilty to death. So philosophically I'm a tooth-for-tooth guy, but the reality is the death penalty as public policy is flawed.
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There's a new set of transformative technologies such as machine learning, AI, and virtual reality that will spawn another set of big tech franchises. But in terms of cultural impact, perhaps we are at peak Valley.
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This is the point being missed by readers who lament Liquor's lack of hot sex scenes, probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.
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Good and evil, reward and punishment, are the only motives to a rational creature: these are the spur and reins whereby all mankind are set on work, and guided.
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Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.
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A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.
