Rachel Griffiths Quotes
I'm pretty ruthless about that; I think when you sign over your story, you sign over your story.
Quotes to Explore
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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Any art worthy of its name should address 'life', 'man', 'nature', 'death' and 'tragedy'.
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First of all, I try to be a positive role model.
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I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
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I love the unexplainable. It would be so boring to me if everything could be explained.
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The American Revolution as it actually unfolded was so troubling and strange that once the struggle was over, a generation did its best to remove all traces of the truth.
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I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
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If Wikileaks didn't resolve that question for folks - at the end of the day, there are no secrets. We're living in a glass neighborhood, in a fishbowl, and technology, white hat hackers, the folks that are doing the right thing with hacking.
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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Her angel's face, As the great eye of heaven shined bright, And made a sunshine in the shady place.
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I remember reading a 'Scientific American' article about the use of new physical techniques - including neutron scattering - as a method for unravelling the structure of the ribosome. I was fascinated.
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I was a social worker for Baltimore families. Now I'm a social worker building opportunities for families throughout America.
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Soderbergh is a very respectable director that manages to have an incredible amount of freedom in a system that doesn't allow anybody to be free as he is on a set. And he will jump from 'Solaris' to 'Ocean's Twelve' and 'Thirteen.'
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That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.
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What's so fun when you shoot in a car is you get to research all the other road movies that have ever been done, and you try to figure out where do they place the cameras and how many shots can you get with your people in the car. So just doing the research on the films is so fun.
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I guess I have a certain willingness for audacity.
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But I don't think we'll go there until we go back to the moon and develop a technology base for living and working and transporting ourselves through space.
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Even if it happened in real life - and oftentimes, especially if it happened in real life - it might not work in fiction.
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I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
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I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.
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Going back into the history of a word, very often into Latin, we come back pretty commonly to pictures or models of how things happen or are done.
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A creator needs only one enthusiast to justify him.
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I'm pretty ruthless about that; I think when you sign over your story, you sign over your story.
