C. Vivian Stringer Quotes
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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I finally moved out of my parent's house. It was only fair to let my sister have her own room.
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The writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it.
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That's what I like about Neil Jordan's films: everyone is better at what they do than you are.
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Novels are the Socratic dialogues of our time. Practical wisdom fled from school wisdom into this liberal form.
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I remember going up and doing 'Bridge Over Troubled Water' with Paul Simon, Santana playing up there with us.
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I don't know what love means.
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When I was depressed, nobody expected anything of me, nor did I expect anything of myself. I was exempt from life's demands and risks. But if I were to find new life, who knows what daunting tasks I might be required to take on?
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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It's not surprising, then, they get bitter, they cling to guns or religion or antipathy to people who aren't like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
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The conversational overachiever is someone whose grasp exceeds his reach. This is possible but not attractive.
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I hate watching myself on film because I am so judgmental.
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The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
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Act because you love to act.
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To me, music is no joke and it's not for sale.
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I have nothing to do with the selection of stories. I'm the reporter.
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'EIla Enchanted' began in a marvelous writing course at New York City's The New School.
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Especially in comedies, I think a lot of time the female characters are there to provide a balance for guys.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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We cannot change anything until we accept it. Condemnation does not liberate, it oppresses.
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I think all my work's been about how do women get back into our bodies; how do men get back. We're all disassociated.
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My ancestors are Rajputs from Jaipur, a lineage of the royal family.
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I think the more stability a person has, the more they can follow esoteric or intellectual pursuits.
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We just want to get more talent and more depth.
