Nan Goldin Quotes
One of the fashion things I ever did was for Helmut Lang for Visionaire magazine and I used people from all genders. People from the age of 18 - like James King - to people like my friend Sharon [Stone] who's about 50 or older. People of all different shapes and literally all different genders and my boyfriend at the time and his daughter who was 11.
Quotes to Explore
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I feel like most creative people are total freaks.
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It's a luxury to not have to just be performing with other people to have my music heard.
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I think sports and bodybuilding were the only things that saved me from getting beat up. People are not pleased, for whatever reason, when you can answer all the questions in class. If not for the respect I got from track, cross-country, wrestling and bodybuilding, it would have been a disaster.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
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I don't like getting people upset, so that's not my goal. But I like putting people in situations where how they respond says a lot about them.
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In France there are, I think, less than one per cent of people who are too skinny.
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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I'm a country girl. I have to be in nature, so my daughter is exposed to it a lot.
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Books that change you, even later in life, give you a kind of electrical shock as the world takes a different shape.
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I think it's important to be diverse, and I hope we continue to see that as a trend in the fashion industry.
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I don't understand that, because I think that what people like most about the show is that they recognize themselves in the characters and their problems, so the more believable the family is, the more we can draw the audience in.
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What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break.
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I really love to resurrect pieces from my past collections and wear them to fashion week parties.
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When I look back, I can say that the summer when I was 19 was a formative time for me. But at the time I just thought I was making tofu every night for dinner and going to work.
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The first album I started out, I just did everything completely alone. I think it has to do with confidence. The more confidence you develop in your own sound, the more you can open up and alchemize that with other people, just set it free, and not feel challenged by that.
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A democracy is predicated on an educated citizenry. You cannot have a democracy with people that are more interested in what Nicole Kidman is doing or whoever the latest fashion model is.
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I will revive the legend of the economic miracle, making the country a place where people have no worry about living and young people merrily go to work.
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I'm really interested in fashion journalism.
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For a long time, I missed being in the courtroom every day. I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years, I did find the opportunity to realize my childhood dream of writing crime fiction.
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Each individual has got to look themselves in the mirror and try and see what they can do better. Period. Point blank.
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I have several computer companies. One of them I have a program for wide-format printing. I have a beauty program. So I have several different programs that I own for printing.
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Large fortunes are all founded either on the occupation of land, or lending or the taxation of labor.
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One of the fashion things I ever did was for Helmut Lang for Visionaire magazine and I used people from all genders. People from the age of 18 - like James King - to people like my friend Sharon [Stone] who's about 50 or older. People of all different shapes and literally all different genders and my boyfriend at the time and his daughter who was 11.
