Quentin S. Crisp Quotes
This is the strange thing about existing in time. As [Philip] Larkin puts it, "truly, though our element is time, we are not used to the strange perspectives open at each moment of our lives" - something like that.
Quotes to Explore
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When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
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But in the east the sky was pale and through the gray woods came lanterns with wagons and horses, bringing Grandpa and Grandma and aunts and uncles and cousins.
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Smaller wrestlers are built for more exciting matches.
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It has been said that the love of money is the root of all evil. The want of money is so quite as truly.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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Each person is living for himself; his own happiness is all he can ever personally feel.
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Church was a requirement - there was no choice in the matter; so was vacation bible school. Gospel has been in me since I was a kid.
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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Business today consists in persuading crowds.
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Happiness is knowing and appreciating what you've got. I am very, very, very grateful for what, to me, is dead easy.
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'Prison Notebooks' gives me a basic understanding of how power can influence people through cultural products and intellectual groups, so they will voluntarily support the hegemony.
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If I were to meet the most incredible man, and he just so happened to not make as much money as I do, I wouldn't hold it against him.
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In the Army, because the stakes are so high - right? - you can't just be a yes-man and say, 'Great idea, boss!' if you don't believe it - right? - because lives are at stake. And the commanders that I've worked for, they want frank assessments; they want criticism and feedback.
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My literary success meant nothing to me.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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The reaction that I got from 'Diamonds' I would have expected to get from 'House of the Rising Sun' or one of the other songs.
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I like writing historical fiction.
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My family lived under communism their entire lives. When they arrived in South Korea, they didn't even know how to use the bank system and ATM or the subway, nothing.
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Specificity is what makes good storytelling, and good storytelling is what makes money, and making money is then what encourages new producers to invest in different stories about Asians.
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There's nothing more confirming in your life than looking in front of you and seeing some really amazing people who you care a lot about who care a lot about you.
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I'm a showgirl. After 20 years in show business, I've learned to roll with the punches.
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This is the strange thing about existing in time. As [Philip] Larkin puts it, "truly, though our element is time, we are not used to the strange perspectives open at each moment of our lives" - something like that.
