Natalie Portman Quotes
A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
Quotes to Explore
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I'm not an aggressive person at all. But I know how to fight.
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A genuinely happy person is one who has rendered others happy.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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When you write as a woman, there's this feeling there's going to be a softness.
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I was raised in the Baptist church... but I didn't really have a real committed experience with Christ until my father died.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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But I do not believe that the world would be entirely different if there were more women leaders. Maybe if everybody in leadership was a woman, you might not get into the conflicts in the first place. But if you watch the women who have made it to the top, they haven't exactly been non-aggressive - including me.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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But I'm trying to play into this role as much as possible and be a nicer person in real life.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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I do think that having the villain be a woman is just as feminine, because we're not just saying, 'Women are wonderful and made of marshmallows,' but women can be anything. They can be amazing superheroes, or they can be dastardly villains, and everything in between.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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On the other hand, if the free world is concerned with how a new Palestinian leader governs, then the peace process will have a real chance to succeed.
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Why do you think the fans like us - why they prefer our street raps over all that phony stuff out there? Because we're telling the real story of what it's like living in places like Compton. We're giving them reality. We're like reporters. We give them the truth.
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When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
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Tax dollars intended for science education must not be used to teach creationism as any sort of real explanation of nature, because any observation or process of inference about our origin and the nature of the universe disproves creationism in every respect.
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What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.
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Booking windows are shrinking, and customers are going mobile: trends which position HotelTonight perfectly for the future.
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I have this long-running idea that the distinction between fiction and nonfiction is not just, 'Did it happen or didn't it happen?' It's one of form.
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NANCY DREW began peeling off her garden gloves as she ran up the porch steps and into the hall to answer the ringing telephone. She picked it up and said, “Hello!”
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A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
