Natalie Portman Quotes
A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
Quotes to Explore
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I'm not an aggressive person at all. But I know how to fight.
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A genuinely happy person is one who has rendered others happy.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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When you write as a woman, there's this feeling there's going to be a softness.
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I was raised in the Baptist church... but I didn't really have a real committed experience with Christ until my father died.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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But I do not believe that the world would be entirely different if there were more women leaders. Maybe if everybody in leadership was a woman, you might not get into the conflicts in the first place. But if you watch the women who have made it to the top, they haven't exactly been non-aggressive - including me.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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But I'm trying to play into this role as much as possible and be a nicer person in real life.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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On the other hand, if the free world is concerned with how a new Palestinian leader governs, then the peace process will have a real chance to succeed.
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When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
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There's always the hyena of morality at the garden gate, and the real wolf at the end of the street.
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I started the cosmetics in 1994 after I stopped modeling, out of my frustration as a woman of color not finding what I needed.
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I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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Instinct is the nose of the mind.
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The idea of a rational bureaucracy, of skill, merit, and consistency, is essential to all modern states.
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Billy Joel is an incredible musician. He just feels like one of the guys, you know. I grew up listening to his music.
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I stopped playing in Jr. events when I was 12 and played women's.
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A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
