Natalie Portman Quotes
I don't know if the scripts are changing so much. I mean, I've been working for almost 25 years and made over 40 films and I worked with my first female director, on a feature, "Planetarium". And it's still the only one.
Quotes to Explore
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There are people who think I should be using the position of secretary of state simply to weigh the scales on the side of my own party. I just don't accept that, and it would not be proper.
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While China succeeded in transferring nearly 150 million people from agriculture to manufacturing, we could not do so, due to lack of skilled manpower.
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Is truth always positive? Of course. Once the truth comes out, you know, it's all right. We're scared that if the truth comes out that it's not all right. It's the other way around.
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I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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Question the motives of those who make requests of you. Discover what they really want. You may not want to give it.
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Soviet expansionism in Europe, the battle for control of China, and the 1950 invasion of South Korea would shatter once-euphoric dreams of post-war cooperation with the Kremlin.
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A first kiss is hard to fake on screen. It's tempting to practice before you shoot, but why blow that natural awkwardness on a rehearsal? There's something so beautiful about it that can't be faked.
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I am coming more and more to the conviction that the necessity of our geometry cannot be demonstrated, at least neither by, nor for, the human intellect.
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When students have thanked me in the past for being their teacher, I have always felt that it was actually my love for the art of teaching they were speaking to.
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I think there's a big misconception out there about actors and the choices they have.
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I'm proud of our court. It knocks back a lot of the propaganda the Communists put out about the way America treats her Negroes.
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Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
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We would be in a nasty position indeed if empirical science were the only kind of science possible.
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I'd say mostly I paint hot chicks.
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Originally, we had a band known as Steely Dan. As we moved away from the band, we got whoever was appropriate for specific tunes. In a lot of cases, we gravitated toward jazz players who had more sophisticated harmonic concepts.
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We know that communication must be hampered, and its form largely determined, by the unconscious but inevitable influence of a transmitting mechanism, whether that be of a merely mechanical or of a physiological character.
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If religious people deny paradise to their opponents or to 'non-believers,' atheists would likewise seek to eliminate 'dangerous' believers with their 'childish' ways and their heads in the clouds.
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What I normally do with recording, performing, and touring is my name. It's all on my shoulders. If it's a great show, I'm great. If it's not a great show, I'm not great.
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I was born a Zionist, because I didn't have a choice about that. It was the ether of my family life, but I certainly broke with it as I asked more questions about it. And that doesn't mean I want to see the destruction of a people, it means I want to see a state structure that might embody more substantially the basic principles of democracy.
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Surprisingly I've never really stolen anything. One time when I was really young, I was walking down the street, found a GI Joe in the mud, and took it home and I was like, "I got a GI Joe!" And then my great grandmother was like, "You stole that." I said, "What are you talking about?" and she said, "That's not yours." I'm like, "But I found it!" She's like, "But it's not yours, and therefore you stole it." So I just went and put it right back in the mud where I found it.
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The female body is a chthonian machine, indifferent to the spirit who inhabits it.
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I don't know if the scripts are changing so much. I mean, I've been working for almost 25 years and made over 40 films and I worked with my first female director, on a feature, "Planetarium". And it's still the only one.
