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I guess I'm a Luddite.
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My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.
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I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.
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I've written a lot of other books and this book Tears we cannot stop was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.
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Black women must help black men understand their full potential lies not in denying black women full access to their humanity and opportunity, but in working diligently to overcome the odds that hamper our progress. Yes, some of that is self-imposed, and we must confront it; and much of it comes from outside. But without courageous and brilliant black women, our communities are greatly diminished.
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It's not enough to be against something.
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The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.
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America is capable at single moments of receiving the depth and the breadth of the homiletical vision of black America when a black preacher rises to his or her craft at the height of his or her ambition and the desire to tell America the truth.
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I believe in a God of a second chance and a God of love and mercy, because I need so much more of it myself.
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Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.
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I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.
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The writer's gift can make us see ourselves and our morals differently than our reality suggests.
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I think that the over-incarceration of black and brown folk is one of the great crimes of American society.
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Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.