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Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.
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Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
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I guess I'm a Luddite.
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What he Michael Jackson did was he allowed us, through his voice and his instrument, to see a glimpse of the heaven that he himself was denied. That sacrifice was the ultimate source of redemption that he gave to us.
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The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.
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America is capable at single moments of receiving the depth and the breadth of the homiletical vision of black America when a black preacher rises to his or her craft at the height of his or her ambition and the desire to tell America the truth.
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Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.
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Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.
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The writer's gift can make us see ourselves and our morals differently than our reality suggests.
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My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.
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I think that the over-incarceration of black and brown folk is one of the great crimes of American society.
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It's not enough to be against something.
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I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.
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Even when you don't know, you're supposed to know.
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I don't mind the job of saying to white people, "Yes, this is what I think you need to know, this is what I think you've been missing." And it's my job to educate white folks every day.
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I believe in a God of a second chance and a God of love and mercy, because I need so much more of it myself.