Michael Eric Dyson Quotes
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Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.
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I don't think that an emphasis on the peculiar plight of black males at all suggests that others are not suffering, or that such attention suggests that black men and women feel sorry for themselves.
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Ironically, there is a history of black/Irish communion here in the states; Irish and African American brothers and sisters have often found common cause in fighting the bigotry both communities faced earlier in the 20th century. However, white skin privilege among the Irish separated them from blacks, who had no such advantage to fall back upon. The solution is to fight bigotry and racism wherever they appear, and to root out the forces of oppression as conscientiously as possible.
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There is no conscious choice of heterosexual identity any more than there is a homosexual one. The last person in the world who wants to be homosexual, for the most part, are homosexuals.
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Furthermore, the financial and social investment in prisons means that black and brown youth become, essentially, fodder for the machinery of capitalized incarceration. The steady supply of guns in the U.S. makes an already untenable situation even more dangerous, and all of us must raise our voices, write to Congress, hit the streets in protest, attend budget meetings of local municipalities - all to state our opposition to such criminal procedures and practices for our youth.
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Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.
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I think it's extremely important to challenge white brothers and sisters and think more systematically and strategically about the whiteness that they possess.
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It is extremely interesting to me that black males, and other black folk, are viewed as self-pitying, by either other blacks who have failed to accurately calculate their own diminished status as a result of racial animosity - both individual and systemic - or by whites who fail to comprehend how, after forcing black folk into subservience for hundreds of years, they now whine about small privileges that pale - so to speak - in comparison to the untold advantage of centuries of benefit.
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Donald Trump amplifies the worst instincts. And his nationalism is really a white racist supremacist nationalism.
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I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.
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We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.
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If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.
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We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.
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I think that he Michael Jackson did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.
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Blackness is not simply a reactionary title or identity; that is indeed the "negative" way of characterizing African American identity.
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When people are not sure about their future, when their economies are suffering, when their personal fortunes are flagging, we have often in this country turned to nativism and xenophobia and racism and anti-immigrant sensibilities and passions to express our sense of outrage at what we can't control - and to forge a kind of fitful solidarity that turns out to be rather insular - we look inward and not outward.
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When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.
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America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.
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There are many Americans who regardless of the intelligence or the profound political persuasion of a figure will never vote for a black man. Not all of them are racists; some are skeptical, and some are suspicious.
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What I'm talking about is both political and then also extra-political. Because what Donald Trump is doing is not simply to be measured in terms of its political effect. It's the very spiritual uplift of the nation. It's the very tenor and tone, morally speaking, of what this country is about. And so the unleashing of these fierce and ferocious beliefs have a potential impact that is quite deleterious, quite negative, quite destructive. And I think we have to say something.
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I was born in '58, so the riot in Detroit in 1967 was a memorable introduction to the issue of race and how race made a difference in American society. And then the next year, of course, Martin Luther King Jr.'s assassination. And the Detroit Tigers winning the World Series. All of that made a huge impression on my growing mind.
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Justice is what love sounds like when it speaks in public.
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I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
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I have argued tirelessly, nearly endlessly, in so many books, about the need for the social, the economic reconstruction of society. The demand that people be present themselves, that they contribute to the reorganization of society, that they own up to their own complicity in a system from which they derive benefit and advantage, often without acknowledgement, and the discomfort, the uncomfortable way in which that must be acknowledged.