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I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.
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When people are not sure about their future, when their economies are suffering, when their personal fortunes are flagging, we have often in this country turned to nativism and xenophobia and racism and anti-immigrant sensibilities and passions to express our sense of outrage at what we can't control - and to forge a kind of fitful solidarity that turns out to be rather insular - we look inward and not outward.
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Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.
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When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.
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A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.
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I think it's extremely important to challenge white brothers and sisters and think more systematically and strategically about the whiteness that they possess.
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Obama sees the world in two ways: from the black perspective and from the white perspective. He was raised as a black man, whose culture he has self-consciously adopted. But he was reared largely by his white grandparents. He lived a kind of racially bipartisan experience, and he will be able to speak a language that resonates with both communities.
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I don't think that an emphasis on the peculiar plight of black males at all suggests that others are not suffering, or that such attention suggests that black men and women feel sorry for themselves.
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Ironically, there is a history of black/Irish communion here in the states; Irish and African American brothers and sisters have often found common cause in fighting the bigotry both communities faced earlier in the 20th century. However, white skin privilege among the Irish separated them from blacks, who had no such advantage to fall back upon. The solution is to fight bigotry and racism wherever they appear, and to root out the forces of oppression as conscientiously as possible.
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It is extremely interesting to me that black males, and other black folk, are viewed as self-pitying, by either other blacks who have failed to accurately calculate their own diminished status as a result of racial animosity - both individual and systemic - or by whites who fail to comprehend how, after forcing black folk into subservience for hundreds of years, they now whine about small privileges that pale - so to speak - in comparison to the untold advantage of centuries of benefit.
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Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.
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I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.
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Bigotry is surely an exportable American commodity, especially when it comes to race.
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What are you for? It may be, to a degree, consoling that white brothers and sisters did not vote for Donald Trump, and do not participate in that brand of animus, that gas-bagging of enormous bigotry.
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I have argued tirelessly, nearly endlessly, in so many books, about the need for the social, the economic reconstruction of society. The demand that people be present themselves, that they contribute to the reorganization of society, that they own up to their own complicity in a system from which they derive benefit and advantage, often without acknowledgement, and the discomfort, the uncomfortable way in which that must be acknowledged.
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The World Series introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.
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I'm nervous about the prospects of an America that refuses to abide by its best conscience and its best lights and its best angels.
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If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.
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The parallels between Elvis and Michael Jackson as incredible artists is evident. But I think that where Michael Jackson even transcends Elvis Presley.
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I was born in '58, so the riot in Detroit in 1967 was a memorable introduction to the issue of race and how race made a difference in American society. And then the next year, of course, Martin Luther King Jr.'s assassination. And the Detroit Tigers winning the World Series. All of that made a huge impression on my growing mind.
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There are things that you can do on an individual level, even as you continue to fight oppression systemically, that make things a little bit better for an identifiable group.
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I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
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White supremacy is the conscious or unconscious belief or the investment in the inherent superiority of some, while others are believed to be innately inferior. And it doesn't demand the individual participation of the singular bigot. It is a machine operating in perpetuity, because it doesn't demand that somebody be in place driving.
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..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.