Vanessa Kerry Quotes
It wasn't until two or three years ago that I actually learned that in the end he actually did kill someone. But that was a choice that he faced: to kill or be killed.
Quotes to Explore
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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The advantage doesn't come because you can run more than someone over 90 minutes. The advantage comes when, in the tenth minute, I'm sprinting back and making another guy chase me. By the end of the game, that guy's worn down, but I can still keep going at the same pace.
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It takes three to make a child.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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If I were dying, my last words would be: Have faith and pursue the unknown end.
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It is well known that my husband and Lady Thatcher enjoyed a very special relationship as leaders of their respective countries during one of the most difficult and pivotal periods in modern history. Ronnie and Margaret were political soul mates, committed to freedom and resolved to end Communism.
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When we put an end to nuclear tests, we get closer to eliminating all nuclear weapons.
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If you tell me I can't eat something, I'll obsess over it and end up overeating!
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Twerking has to end. Not for the ones that look good doing it, but for all the ones that you feel, 'You don't have enough to twerk back there. Your twerkin' look like jerkin.'
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I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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The cow is of the bovine ilk; one end is moo, the other milk.
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The company of fools may first make us smile, but in the end we always feel melancholy.
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Whenever I go to L.A., the make-up artist or hairdresser will end up having a conversation about how fat they think they are, and I really just can't take it seriously at all.
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I went with Lionel Hampton for three years. Out of that came a trip to Europe.
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I remember I got an ALMA award for an actor being on three shows simultaneously.
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That's my suggestion for kids who want to act, by the way: Make sure it's really your choice, get out of it when it stops being fun, and get an education.
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Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
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Towards the end of February 1928, I took the decision of using brilliant monochromatic illumination obtained by the aid of the commercially available mercury arcs sealed in quartz tubes.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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But I'm good to go through my contract with Childress, and my determination is to win races and try to win that other championship.
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When we reach reflexively for something to dull an ache inside of us, in that very moment of reaching, we are hiding from our pain. We're storing it away. Tamping it down.
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As an actor, I'm familiar with having bursts of energy, where you're giving things a try, and then you have down time.
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The way I miss my daughter Esme is to worry about her. It is not a pleasurable longing. It contorts my body and scrambles my brain, makes me stop breathing, clench my jaw and my fists, it makes me frown, and makes me blind and deaf, in fact entirely without sensory perception.
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It wasn't until two or three years ago that I actually learned that in the end he actually did kill someone. But that was a choice that he faced: to kill or be killed.
