Sabina Murray Quotes
I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
Quotes to Explore
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Let me tell you something - being thought of as a beautiful woman has spared me nothing in life. No heartache, no trouble. Love has been difficult. Beauty is essentially meaningless and it is always transitory.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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In the X-Men the women are so strong and sexy! We really kick some male butt!
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We will do everything to change what needs to be changed, fight against recession so that the country meets its targets, while reinforcing our country in the heart of the euro and the European Union.
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Even if I died in the service of the nation, I would be proud of it. Every drop of my blood... will contribute to the growth of this nation and to make it strong and dynamic.
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Americans are people who prefer the Continent to their own country, but refuse to learn its languages.
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I don't like doing the same material over and over again. It's not fun.
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I was definitely very much a country boy.
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Everybody did something. It was very entertaining. We had a lot of fun. Lot of fun. And there was no segregation, that I could see. I never saw any.
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Israel is the only country in the Middle East where Arabs can be elected to the parliament in a democratic election.
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It's also very painful, because I feel, and I know, probably all women my age and older feel like we're better and have more to give and are more fun now.
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When a role seems fun it's easy to play. It kind of comes organically.
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It's something I am confident about. It gives me an adrenaline rush - who wouldn't want want to wear beautiful clothes and jewellery and look wonderful - it's a dream job for many.
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I had been to New Mexico many times. I loved it. It's a very exotic, interesting, severely crazy environment. I don't know if I could live there all year. It's such an intense place.
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That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.
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I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
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I was kind of going that route with my country music. Indie country. Which would work, if I was playing on Americana stages. Unless I had a television outlet like 'Glee'.
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What I'm trying to do is put back into rap music what's missing - which is the good part, the fun part, that party part.
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I had no intention of becoming a performer, and yet under miraculous circumstances I was brought into the music industry fold. If divine powers hadn't intervened, I'd still be living in China working in some area of Sino-American comparative law.
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The night I won my first Late Model race was the night my mom moved everything out of the house... There was a lot of situations like that.
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When you pick up a novel from the bed side table, you put down your own life at the same time and you become another person for the duration.
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Country banks are more flexible in their lending policies than their city brethren are.
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Facebook says, 'Privacy is theft,' because they're selling your lack of privacy to the advertisers who might show up one day.
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I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
