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No woman so naked as one you can see to be naked underneath her clothes.
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Look at your hand. Its structure does not match the structure of assertions, the structure of facts. Your hand is continuous. Assertions and facts are discontinuous.... You lift your index finger half an inch; it passes through a million facts. Look at the way your hand goes on and on, while the clock ticks, and the sun moves a little further across the sky.
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Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
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We have one set of obligations to the world in general, and we have other sets never to be reconciled to our fellow-countrymen, to our neighbors, to our friends, to our family, to our children.
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You can create a good impression on yourself by being right . . . but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.
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When anyone says they often think something, it means they've just thought of it now.
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A toy car is a projection of a real car, made small enough for a child's hand and imagination to grasp. A real car is a projection of a toy car, made large enough for an adult's hand and imagination to grasp.
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I can understand, he said, that many people, many perfectly ordinary people, have an interesting story to tell. No one's experience of life is valueless.