Eddie Perez Quotes
Quotes to Explore
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Milos said, You're my first choice. From my point of view, that doesn't pay the rent. I said, Tell me what I have to do next because I'm busy painting my kitchen.
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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I'll eat one cookie, not a whole box of cookies. But I'll still eat the one cookie... sometimes two, or even three. But not the whole box.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Badly constructed houses do for the healthy what badly constructed hospitals do for the sick. Once insure that the air in a house is stagnant, and sickness is certain to follow.
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I just always wanted to be left alone to go into a creative space.
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He that strives to touch the starts, oft stumbles at a straw.
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America's fine, nice, nice hiking near L.A. But I am European. I love London and Paris. Friends and intellect, big thought, why not?
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I think it's important to experience kindness so that you can experience it more in the future. I believe that patterns of emotional behavior are set down before adolescence. And I think that if you have not observed kindness, you will not recognize it. You have to experience kindness in order to be kind.
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I went to a couple of Rangers games at the Garden, and someone at the NHL had seen me and figured I was a fan and decided to approach me about having a blog during the playoffs.
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I just wanted to rollerblade at Union Square.
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In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
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The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
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Give a talk to children and tell them dinosaurs didn't drag their tails, and you get arguments.
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Animal vision - including human vision - is so biased toward movement that we don't technically see stationary objects at all.
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Now while the German money is over for Hollywood, I still have $80 million to make movies, and we will have two things coming up: less major movies and the price for actors will go down.
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I don't do meetings.
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My mom was on welfare and the occasional food stamp, but I have never participated in any of those governmental programs, even the ones that kind of work like education, scholarships and whatever, and I managed to do just fine.
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I always thought once you get your contract, I think that's when the accolades and all that stuff comes.
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Once I went to film school, I realized that film directing was actually much better than theater directing, because you kind of get to stay in control of it all the way through. You don't relinquish the piece to the actors like you have to in theater; you stay in control through the very end.
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When I came to England, everybody was indoors all the time, and nobody said hello to each other. That was weird.
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More young people are aware of the need for thank yous and aware of the tremendous impression they make.
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I don't like a lot of attention. That's kind of who I am at heart. So I see everything, the people circulating around me and a lot of people know me - it kind of feels like a heavy weight sometimes.
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At 21 years old, I could produce 400 people like that.
