Eddie Perez Quotes
Quotes to Explore
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Milos said, You're my first choice. From my point of view, that doesn't pay the rent. I said, Tell me what I have to do next because I'm busy painting my kitchen.
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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I'll eat one cookie, not a whole box of cookies. But I'll still eat the one cookie... sometimes two, or even three. But not the whole box.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Badly constructed houses do for the healthy what badly constructed hospitals do for the sick. Once insure that the air in a house is stagnant, and sickness is certain to follow.
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I just always wanted to be left alone to go into a creative space.
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He that strives to touch the starts, oft stumbles at a straw.
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America's fine, nice, nice hiking near L.A. But I am European. I love London and Paris. Friends and intellect, big thought, why not?
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I went to a couple of Rangers games at the Garden, and someone at the NHL had seen me and figured I was a fan and decided to approach me about having a blog during the playoffs.
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I just wanted to rollerblade at Union Square.
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In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
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The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
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Give a talk to children and tell them dinosaurs didn't drag their tails, and you get arguments.
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Animal vision - including human vision - is so biased toward movement that we don't technically see stationary objects at all.
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Now while the German money is over for Hollywood, I still have $80 million to make movies, and we will have two things coming up: less major movies and the price for actors will go down.
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I don't do meetings.
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My mom was on welfare and the occasional food stamp, but I have never participated in any of those governmental programs, even the ones that kind of work like education, scholarships and whatever, and I managed to do just fine.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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I have always loved the wild places between the Sierra Nevada range and the Rocky Mountains. The east face of the Sierra Nevada is steep and largely unknown, a wonderful setting.
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Just because the Americans are so good at rattling out accessible and cheap junk food, nobody looks twice when it comes to their food. But there are golden nuggets everywhere.
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My main job is to live with deep contentment, joy, and confidence in my everyday experience of life with God. Everything else is job number two.
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Real art is basic emotion. If a scene is handled with simplicity - and I don't mean simple - it'll be good, and the public will know it.
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At 21 years old, I could produce 400 people like that.
