L. Jon Wertheim Quotes
Like a versatile baller, George Dohrmann swings seamlessly from position to position: investigative journalist, social critic, gifted storyteller. The result is a gem of a book that addresses THE question central to contemporary basketball: how does such an unseemly culture spring from such an essentially beautiful game? You'll come away rooting harder than ever for the kids and harder than ever against the basketball profiteers.
Quotes to Explore
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The main threat to the future of Europe is not those who want to come here to live but our own political, economic, and intellectual elites bent on transforming Europe against the clear will of the European people.
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I motivate others by making sure that they understand to go after their dreams and don't let anyone tell you you can't. If you are motivated enough and put the work in that you can achieve anything in life that you set your mind to.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
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I'm just trying to work out how to write music now, because I've never had the opportunity where my number-one priority is writing music. I don't know how my brain works yet.
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With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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If you happen to start a new country in the 1990s, you have the advantage of drafting new laws with the knowledge that the Internet is out there.
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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When I announced the development of Perl 6, I said it was going to be a community design. I designed Perl, myself. It's limited by my own brain power. So I wanted Perl 6 to be a community design.
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It's understood in the newsroom: Air the Trump rallies live and uninterrupted. He may say something crazy; he often does, and it's always great television.
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Whenever I do something, it is rooted in the Indian opportunity.
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I have a fear of things growing on things. I don't know where it came from. But I go hiking a lot, and sometimes I can't handle moss growing on trees or tumors on trees or mushrooms.
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Authority is something from which we are constantly subtracting, of which there remains always a residue, and which we attempt to make smaller and smaller.
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'The Last Of Us,' to me, is just amazing storytelling, because everything's from the character point of view, which even movies don't really do successfully a lot of the time.
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I wanted to play this part: the goofy rock and roller who can't hang up his guitar when it's clear to everyone else that he should.
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I am not afraid of taking risks. We have to take risks for peace.
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When a tradition gathers enough strength to go on for centuries, you don't just turn it off one day.
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It sounds gross to say that I like myself more. But not everyone likes themselves that much. Especially in the comedy world.
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It's funny, one of the reasons why I never wear my glasses any more is that, when I was younger, a guy once said that he liked me until he found out that I wear glasses.
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We are still in the very beginnings of the Internet.
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Like a versatile baller, George Dohrmann swings seamlessly from position to position: investigative journalist, social critic, gifted storyteller. The result is a gem of a book that addresses THE question central to contemporary basketball: how does such an unseemly culture spring from such an essentially beautiful game? You'll come away rooting harder than ever for the kids and harder than ever against the basketball profiteers.
