M. Scott Peck Quotes
Quotes to Explore
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I wasn't real quick, and I wasn't real strong. Some guys will just take off and it's like, whoa. So I beat them with my mind and my fundamentals.
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I am a hopeless romantic and I love to spoil my girlfriends.
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I love being in the editing room and playing with tempo and with the rhythm of shots.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I love Rihanna. I think her style just pushes a lot of boundaries. My tomboy side takes inspiration from her.
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The angel of mercy, the child of love, together had flown to the realms above.
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Whenever you choose power over love, you will never find true happiness.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
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I love sparkly eyes for the holidays, especially New Year's Eve.
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I love life and nothing intimidates me anymore.
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When I took my first job, I was among only a handful of women. It was isolating at times. My love for technology kept me going, and I got to where I am today driven by my passion and self confidence.
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At some point, you decide to take something you really like and turn it into a business you love.
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In New York, you walk everywhere, so you're amongst people all of the time, and everybody is in a hurry and going somewhere or has something on their minds. And in L.A., it's still much more of a laid-back life, at least in my experience.
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My time at Shell was a most valuable experience because it taught me to look at the world in a long-term way. Shell takes a 20-year view on events and plans for different scenarios. It makes you see the world as a kind of large matrix.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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Love is the funeral of hearts.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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A plate of food has to have balance. For example, a mild fish like skate mustn't be overwhelmed by the side dishes. They should have personality and color, but they also have to be subtle.
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The Muslim Brotherhood is the parent organization of extreme ideology. They are the godfather of all terrorist organizations. They spread it all over the world.
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Again and again we are confronted with the reality - some might say the problem - of sharing our space with other living things, be they dogs, trees, fish or penguins.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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Real love is a permanently self-enlarging experience.
