Valery Giscard d'Estaing Quotes
Quotes to Explore
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The decathlon takes so long to learn that people who are good athletes don't want to go back to the beginning again.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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My Southern heritage is a big part of who I am. I grew up around people who seemed like characters but are actual, real people. My grandmother made sure I had manners and all that stuff.
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It's always so difficult when you've left your kids to go to work every day - you want people to like it. I just agonise over it, but I'm obsessive because I love what I do.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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I live in the present. When I finish a film, it is behind me. My reward is in my work, not in a lot of old memories.
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Getting pummelled is better than not playing anything at all.
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Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
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Instead of hazarding our future on the dirty fuels of the past, let's invest in clean power that can drive this country forward. Let's cut energy waste, make our economy the world's most efficient, and give our workers a leg up in the global marketplace.
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Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
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I actually made a website called Y2 Combinator, which was the Y Combinator that starts Y Combinator clones. There's a very clear difference in the quality between the companies that come from YC and the companies that don't.
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An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Chad was in the right spot. He got a little aggressive with the third shot there. He probably didn't want that putt he had there for the par. And you don't want to put it back there where Casey and Sergio did because you have 20 feet of break there.
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When I was a kid, they used to say, 'Oh man, you don't ever wanna leave New York.' I don't ever want to stay in New York!
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The more you work, the more people can see that you're something different from what's come before.
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Class structures are a luxury that we cannot afford.
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I didn't want to do a zoo show. I didn't want to do a study of someone with mental illness. I just wanted to show someone who was trying to live their life.
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And Myrnin seemed quite taken with that, Claire thought; she’d never seen him look at anyone with quite that much admiration. It surprised her that it made her feel a little … what was that? Jealous? Couldn’t be.
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The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
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When you lose a spouse, you're a widow or widower; when you lose your parents, you're an orphan. When you lose a child, there's no word in the English language for that position, that place that you're left.
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I remember going to Europe and one makeup artist made me look pink, then she tried to correct it but turned me green! I had to learn how to do my own makeup.
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Europe without Greece is like a child without a birth certificate.
