Baran Odar Quotes
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
Quotes to Explore
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I am in a traditional financial services business - but we at Fidelity can see that the evolution of technology is setting our industry up for disruption. What if this technology could do for the transfer of value what the Internet did for the transfer of information?
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Doing a TV show is different because it's more of a TV version of something. A more focused take on things.
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The wretched have no compassion, they can do good only from strong principles of duty.
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I've seen myself on those lists of the 100 best guitarists, and if they think that I'm that good, thank them. Thank God for them. But I don't think so.
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The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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I'd heard he was good, and what the hell sense does it make not to hire somebody because of their color?
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I like businesses in transition, first of all. If ever there were a business in transition, it is publishing.
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Sometimes for a lot of new artists, they don't have a vision, really, or know what they want to say; it's kind of drawn out for them. But me, because I'm such a transcendental thinker, it's always like a journey and an adventure with each project. It's like going through a different doorway each time.
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Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
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There are people who are good for letters and others that are good for numbers.
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For artists, the majority of the money we make comes from us being on the road and touring.
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Le Cirque at first was one of those general French restaurants in town, which were cooking more or less the same food. At Le Cirque, I wanted to do something different while respecting the foundation of the restaurant. I did that through the menu.
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The film I do doesn't have to be a film that only my kids can watch. My kids will watch films, but I will decide what they watch and not. My aim is to play different characters and not be stuck in a mould. Just because you are a mom and a wife doesn't meant you have to play those roles, even in films.
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When you come through a business education, a lot of what they teach you is to make decisions through analysis, and logic and rationale, and I'm a big believer in that. But I also believe in the power of instinct. The truth is you're never going to have a perfect answer or view of how it is going to work.
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Each country its cost analysis is going to be different. So what we are you seeing in Syria, for example, is different than what's going on in Jordan. The maps are being rewritten.
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Only the young die good.
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To be a good actor you have to feel life and observe life.
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On those days when I can spend a few hours getting some understanding, I feel fulfilled. I feel as if I have made good use of my time.
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The problems faced by writers of color are analogous to the problems face by women writers.
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I think England has been in the long-term damaged by Britishness.
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There're so many things I want to do, like become more media savvy. I am too lazy. But I'm making an effort.
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In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
