H. Emilie Cady Quotes
Our spoken word first hammers a thing desired into shape. Our continued spoken word brings this shaped substance forth and clothes it with a visible body.
Quotes to Explore
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Nothing earth-shattering has happened in men's fashion. How much can you do with men's clothes?
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When I talk to young girls about clothes, I tell them to show a lot of brains.
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Putting on someone else's clothes is like putting on a mask.
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Man's shortcomings and sins are all due to substance of the body and not to its form, while all his merits are exclusively due to his form.
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Fashion is not about clothes, it is about a look.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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It's only I have seen enough of it and the funny thing is now, I know that I'm skinny, because I know there are even smaller clothes in the store. I think I'm big, when I was big, I never thought about it.
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I am a complete sentimentalist when it comes to clothes. I have so many memories attached to them that I can't throw anything out.
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Photographers have to make the clothes look fantastic; that's why we get paid.
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See, I will always shop, and that's sort of a problem. Clothes are always exploding out of my closet!
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Up until recently, I've always been a vintage store guy. I get a lot of my clothes second hand. I really enjoy being able to look through different styles you can find and how eclectic the vintage store vibe is.
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My clothes are predominately black and my home is predominantly white.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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I very rarely wear suits, and only make one or two per season, so it's about wanting exceptional clothes that don't feel stiff. Fabric and garment washing are a big part of my design process for that reason. Everything needs to feel lived-in and comfortable.
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I discovered the slip dress, which I think is one of the more French things because when you take off your clothes, even when to go into a shop to buy something, or you're going to Riccardo Tisci to try on a suit, it's like having protection.
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I never, never lend any of my own clothes for parts any more because you lose your clothes; they become the characters' clothes, and you can never wear them again.
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I do what I love to do at the moment. If I wake up tomorrow and decide I want to dance, that's what I'd do. Or design clothes. I think I'd throw myself into whatever I'm doing now. It's not about abandoning what I was doing before, or giving up. It's about knowing that if I die tomorrow, I lived the way I wanted to.
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There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
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Our spoken word first hammers a thing desired into shape. Our continued spoken word brings this shaped substance forth and clothes it with a visible body.
