Michael Lindsay-Hogg (Sir Michael Edward Lindsay-Hogg) Quotes
One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction.
Quotes to Explore
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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Normally, most writers don't say, 'I'm going into a mild hypnotic trance.' Typically, they don't know how they do it. Most people, when they have a good experience writing, they're well placed in that state, which is also sometimes called a 'flow state.' If you don't have trouble, you don't have to think about it.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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Nevertheless, this one fact should be apparent: turning the other cheek is a bribe. It is a valid form of action for only so long as the Christian is impotent politically or militarily.
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To deal with local pollution, China has put on the agenda the capping of coal, which has long been a sensitive issue.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I sort of fall in love with every character I do; you have to understand how they became what they've become, whether they're the ugly kind or the very beautiful kinds of characters.
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The reason that I'm here at all is because of my relationship with my family and their encouragement of me to be a musician and to work hard. As long as I stay there in that space, I can do anything. That's my truth.
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As long as there is no proselytism... we must facilitate the partnership between parents and schools.
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It takes me so long to get tired of a man. It's women that are the problem. Don't get me wrong. I think men have their problems just as much as women.
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Religious beliefs have played a vital role in forming America's character as well as my own. I was raised as a Lutheran, and I believe in God and consider my faith and involvement with organized religion to be an important part of who I am.
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I'm open to all kind of scripts. As long as there's enough scope to perform, I'd take up the offer. In fact, before Yuvan and 'TT' happened, I got an opportunity to work with a top actor-director combination. But my height proved to be a setback.
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It took me a long time to realize you don't choose what you're famous for.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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To make sense of a world in which rapid change and globalisation create genuine insecurity, we need benchmarks by which we can judge our actions and their long-term impact.
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'Peanuts' is a life-long influence, going back to before I could even read.
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Friedan: There was a masculine mystique, too.
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I am a scientist. I go where the facts take me.
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I'm leaving town cause my children are acting too much like me.
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One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction.
