Michael McKean Quotes
I'm all over the place. As you may have seen from the credits, I write with everybody.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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You can't win if you don't play as a unit.
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Action is the foundational key to all success.
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There's no way to understand housing as it exists today without federal policy.
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People do bad things in their lives. And those sort of things are forgivable. That's half the point of having confession in church - you need to be able to fess up to what you've done.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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I've never yet managed to write a novel which didn't have an Indian central character.
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I know I should keep this a secret, but Celine Dion is something of an icon to me.
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For those who have obtained unobstructed knowledge of Self, the world is seen merely as a bondage causing imagination.
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'reading is at the beginning of the social contract'
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When we hold to the core, the opposite sides are the same if they are seen from the center of the moving circle. I do not experience; I am experience. I am not the subject of experience; I am that experience. I am awareness. Nothing else can be I or can exist.
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I read so much science fiction when I was young. I believe science fiction is the genre for exploration and to learn about possibilities via book.
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Soaring prices for crude oil, falling production surpluses, wild speculation in commodities, a rush into the precious metals, turmoil in the Middle East, assertive oil producers: it is 1973-74 all over again, and at dictation speed.
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I didn't really have an interest in politics when I first entered the workforce. What I wanted to do was help people who grew up like me. When I was a kid growing up in Tucson, my father lost his job and we lost everything - including our home. We lived in an abandoned gas station for two years until we were able to get back on our feet.
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I'm the type of person who doesn't hope, dream or wish for things. I work and work and work.
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Most of these alternative arrangements, so-called, arise out of the ruins of marriages, not as an improvement of old fashioned marriage.
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The only way we are going to get diversity is if the demographics of the decision-makers change... The odd-token bone thrown is not going to do it. Don't pat yourself on the back because you made that black drama; that's not diversity. It's got to be baked into the foundation of where the ideas flow from.
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Crummy pictures, live appearances, circuses, avant garde theater, dinner theater. I've done it all. I've been shot out of cannons. I know what the people want. I'm out there with the people.
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I hate watching myself on screen! I absolutely hate it, it's so hard to watch. I can see myself in magazines, but watching on TV or movies is like, 'Ugh.'
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The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
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I genuinely don't care about the 'number one' tag. That's not my goal. You know, no one does that with heroes, but with actresses it's the same number game. It's not a bloody pageant. Everyone has something unique to offer.
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Working for the 'Miami Herald' in 1972, I covered street action for both the Republican and Democratic national conventions in Miami and saw probably the most violent conventions ever - more violent than even 1968 in Chicago.
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I'm all over the place. As you may have seen from the credits, I write with everybody.
