Michael Moorcock Quotes
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The past is a script we are constantly rewriting.
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All Empires fall, All ages die, All strife shall be in vain. All Kings go down, All hope must fail, But Tanelorn remains Our Tanelorn remains.
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Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.
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Treasures are not won by care and forethought but by swift slaying and reckless attack.
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Here, I thought, I had found the human race in its final stages of decadence perverse, insouciant, without ambition. And I could not blame them. After all, they had no future.
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It remains a mystery to me why some of that pulp fiction should be judged inferior to the rafts and rafts of bad social literary fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
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Is the prisoner a prisoner because he lives in a cage or because he knows that he lives in a cage?
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It's History that's caused all the troubles in the past.
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It's getting late. I must return to my ship or my men will think I've drowned and be celebrating.
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I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas.
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And you, Prince Elric? She attracted the albino's wandering attention. Do you know his story? Elric shook his head. I only know, he said, that he is a shape-changer and, that most cursed of souls, a person of rare goodness and sanity. Imagine such torment as is his!
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The problems for which I could find no solution in fact had no solution.
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Americans need bullshit the way koala bears need eucalyptus leaves. They've become totally addicted to it. They get so much of it back home that they can't survive without it.
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There was no more dangerous kind of madman than one who devoted a good brain and a courageous heart to unhealthy ambitions.
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Our scientific advances will be merely obscene unless they help the large part of our world's population emerge from miserable uncertainty and debilitating terror.
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What the local politicians actually meant was that they hoped to claim the land in the name of the public and then make the usual profits privatizing it. There was a principle at stake. They had to ensure their friends and not outsiders got the benefit.
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And now, Elric had told three lies. The first concerned his cousin Yyrkoon. The second concerned the Black Sword. The third concerned Cymoril. And upon those three lies was Elric's destiny to be built, for it is only about things which concern us most profoundly that we lie clearly and with profound conviction.
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By means of our myths and legends we maintain a sense of what we are worth and who we are. Without them we should undoubtedly go mad.
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What happened to fantasy for me is what also happened to rock and roll. It found a common denominator for making maximum money. As a result, it lost its tensions, its anger, its edginess and turned into one big cup of cocoa.
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Trapped. Sinking. Can't be myself. Made into what other people expect. Is that everyone's fate? Were the great individualists the products of their friends who wanted a great individualist as a friend?
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Doomed Lord's Passing. For the mind of man alone is free to explore the lofty vastness of the cosmic infinite, to transcend ordinary consciousness, to roam the secret corridors of the brain where past and future melt into one...And universe and individual are linked, the one mirrored in the other, and each contains the other.
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Elric knew that everything that existed had its opposite. In danger he might find peace. And yet, of course, in peace there was danger. Being an imperfect creature in an imperfect world he would always know paradox. And that was why in paradox there was always a kind of truth. That was why philosophers and soothsayers flourished. In a perfect world there would be no place for them. In an imperfect world the mysteries were always without solution and that was why there was always a great choice of solutions.
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The Lords of Chaos are the enemies of Logic, the jugglers of Truth, the molders of Beauty
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When gods die, self-respect buds', murmured Orland Fank. 'Gods and their examples are not needed by those who respect themselves and, consequently, respect others. Gods are for children, for little, fearful people, for those who would have no responsibility to themselves or their fellows.