Michael Moorcock (Michael John Moorcock) Quotes
By means of our myths and legends we maintain a sense of what we are worth and who we are. Without them we should undoubtedly go mad.
Quotes to Explore
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Livelihoods and whole communities throughout the Murray-Darling Basin have been imperilled by the workings of drought, fire, flood, acid mud and human action over many decades. In the rescues and the cleanups and the long hauls, I see the same attitude over and again. People just rally and get on with it.
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Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
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The day you settle for less is the day you will get less.
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Some campaigns are not worth waging if you can't win; others have to be fought on grounds of principle regardless of the chances for success.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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Mankind are governed more by their feelings than by reason.
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I am very proud of Jim Leiken. He has worked with me for six years and has been patient enough to learn the ropes. He's now matured into a true chef and is working on building his team.
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There is a lot of talk in conservative circles about judicial modesty and deferring to the political branches. That view of judging often overlooks the important role that courts have in protecting people's rights. But if there was ever a time to defer, it is when Congress is protecting voting rights in the exact way the Constitution directs it to.
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I remember my first show was a live TV show in Ireland, and I was just petrified. It was horrific.
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I can't write a novel without first really doing reporting. I don't even call it research; it's reporting. That process is very important to the granularity of my writing. I have to know what the reality is so I can be more convincing in the writing.
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Publishers, naturally, loathe used books and have developed strategies to depress the secondhand market. They bring out new, even more expensive editions of popular textbooks every three to four years, in a classic cycle of planned obsolescence.
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I'm happy to have had everything healed. We're fine.
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A lot of my work, the subject is film and television itself, and history, and how that kind of coincides with larger cultural history and memory.
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My philosophy from day one is that I can sleep better at night if I can improve an individual's knowledge about food and wine, and do it on a daily basis.
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A lot of people are afraid of the idea of enslavement, and that's because it's tied to so much shame and guilt... That is the big elephant in the room, but a part of why we're afraid to attack that subject matter is because of the way we've been taught about it.
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Where a government has come into power through some form of popular vote, fraudulent or not, and maintains at least an appearance of constitutional legality, the guerrilla outbreak cannot be promoted, since the possibilities of peaceful struggle have not yet been exhausted.
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In the bleak mid-winterFrosty wind made moan,Earth stood hard as iron,Water like a stone;Snow had fallen, snow on snow,Snow on snow,In the bleak mid-winterLong ago.
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I believe there is no part of our lives, our adult as well as child life, when we're not fantasizing, but we prefer to relegate fantasy to children, as though it were some tomfoolery only fit for the immature minds of the young. Children do live in fantasy and reality; they move back and forth very easily in a way we no longer remember how to do.
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We would write scripts, like for 'Shutterbugs.' Then when we shot it, everyone just came up with new stuff. We've definitely learned how to do it better as we've gotten along. So basically, that's how it went. We just go in with ideas and try to figure out funny stuff while we're there.
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We all love to sing along with our favorite songs. We sing in the car, in the shower, and at the karaoke bar. The problem is that half the time we don't know what we're singing. We're making up lyrics as we go along and hoping no one will notice.
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If you're doing a column, you kind of have to. Like in the back of Sports Illustrated, Rick Reilly has to find something to be mad about. It's not really the way I approach things.
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We cannot and should not stop people from migration. We have to give them a better life at home. Migration is a process, not a problem.
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By means of our myths and legends we maintain a sense of what we are worth and who we are. Without them we should undoubtedly go mad.
