Michael Palmer Quotes
In this day and age, love is temporary and marriage is unnatural--the product of Madison Avenue advertising executives and television producers.
Quotes to Explore
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It is not unprofessional to give free legal advice, but advertising that the first visit will be free is a bit like a fox telling chickens he will not bite them until they cross the threshold of the hen house.
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There is no such thing as a Mass Mind. The Mass Audience is made up of individuals, and good advertising is written always from one person to another. When it is aimed at millions it rarely moves anyone.
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I think the adoption rate with respect to social media and how companies leverage that varies by the company. Cisco is probably a leader in the space. A lot of times, we actually use virtual ways to communicate our brand and do some of our advertising, first on the social space, then we do on physical advertising.
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What we'd like to think of YouTube as is a part of Google with very overlapping goals and values. We're a fundamental part of the advertising business for Google.
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You really want to get a headache? Try to understand Internet advertising.
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Red Interactive, the digital advertising agency, is a real, systemic kind of business, as opposed to a one-off thing. We can help advertisers frustrated by old media find clients they can work with.
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The business model for content is to be paid for it. You can be paid for it either though advertising or subscriptions or some new invention, but right now what we've got is advertising revenue and subscription revenue as the only way to be paid for content.
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Graffiti's always been a temporary art form. You make your mark and then they scrub it off.
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I credit Google for having the foresight to identify threats to its main business of selling advertising against search results. The potential loss of market share in the mobile space led them to the Android acquisition.
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I have a hard time doing anything someone else tells me to do! I've always been driven to follow my own path and not be pushed down another lane because some executive thought I could be more commercially successful or whatever.
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Over the years, many executives have said to me with pride: 'Boy, I worked so hard last year that I didn't take any vacation.' I always feel like responding, "You dummy. You mean to tell me you can take responsibility for an eighty-million-dollar project and you can't plan two weeks out of the year to have some fun?
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I'm no advertising genius. I found that if you deliver news and information to the consumer, or the reader, then the advertisers will follow to reach those readers.
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Most companies, 97 percent or more, put all their focus on clever advertising and clever taglines to get people to buy average or mediocre products. You need to back off and offer a really good product or service.
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Advertising prods people into wanting more and better things. Of course advertising makes people dissatisfied with what they have - makes them raise their sights. Mighty good thing it does. Nothing could be worse for the United States than 200,000,000 satisfied Americans.
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European affairs are no longer reserved for the executive.
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Art has to be severe. It cannot be commercial. It cannot be for the producer or even for the public. It has to be for oneself.
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Television, I would say, isn't an advertising medium. It's a selling medium.
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When I read the script, I said to one of the producers, "I know you probably want Jonathan Harker really fluffy, but I'm not gonna do that. It needs to be a mask. There needs to be a duel between Harker and Dracula."
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In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
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I learned French before I learned Spanish.
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The fact was I didn't want to look my age, but I didn't want to act the age I wanted to look either. I also wanted to grow old enough to understand that sentence.
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Bracelets with white symbols?” Michael made the question casual; in fact, he bent his head and concentrated on tuning his guitar, not that it needed it. Every note sounded perfect as it whispered out of the strings. “Do you remember?” “No.” She felt a pure burst of something that wasn’t quite panic, wasn’t quite excitement. “Does that mean they have Protection?” He hesitated for about a second, just long enough for her to know he was surprised. “You mean condoms?” he asked. “Doesn’t everybody?
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In this day and age, love is temporary and marriage is unnatural--the product of Madison Avenue advertising executives and television producers.
