Norman Vincent Peale Quotes
Cut the "im" out of impossible, leading that dynamic word standing out free and clear-possible.
Quotes to Explore
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I get paid to do what I enjoy, not that common a condition.
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I had eleven varsity letters. I loved basketball the best, but cross-country is a little more under your control.
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I've done comedy most of my career, which I love, but I wanted to expand.
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When you hit your 40s, you begin to take notice of the effects of aging because people that you know begin to die of heart attacks and tumors, so we take notice of the effects of aging.
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I worry about people who sell out to chase fame because when they get it, it might not be so satisfying.
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Becoming a mom made me more contentious about expressing my true taste.
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The first time I heard Adam Feeney and Chester Stone Hansen's 'Vibez,' it was used in Drake's '0-100' as a sample.
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I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
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When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
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My biggest fears aren't with my work. My biggest fears are walking through hospital doors. Once you can face that, being fearless about your work is easy.
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As a little kid, I climbed a lot of trees because I always loved the bird's-eye view.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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Heavenly Father has given us a priceless gift in our capacity to communicate with each other. Our communications are at the core of our relationships with others. If we are to return home safely to Heavenly Father, we must develop righteous relationships with His children here in mortality.
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I am going to confront the old-fashioned negative thinking which says that all government needs to do to generate growth is cut worker and environmental protections, cut taxes on the rich and stroke 'fat cats' until they purr with pleasure. I'm completely repudiating the idea that government has to get out of the way.
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The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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I admit the last couple of years shows were not up to par.
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You don't have to do anything in the movies. You just sit there. Well, that's not entirely true. You do less.
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It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.
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I actually grew up break-dancing. When you break-dance you listen to hip-hop and rap, so I've been listening to that music since I was a kid.
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A country is strong which consists of wealthy families, every member of whom is interested in defending a common treasure; it is weak when composed of scattered individuals, to whom it matters little whether they obey seven or one, a Russian or a Corsican, so long as each keeps his own plot of land, blind in their wretched egotism, to the fact that the day is coming when this too will be torn from them.
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A flower that grow in the ghetto know more about survival than the one from fresh meadows.
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Cut the "im" out of impossible, leading that dynamic word standing out free and clear-possible.
