Michael Rooker Quotes
Quotes to Explore
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I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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I used to be obsessed with race. I'm more obsessed with class now.
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I am not an angry guy. It's just the roles I do that impact my personality.
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We need to protect the privacy rights of all Americans, and that means stopping the federal government from spying on the cellphones and emails of law-abiding citizens.
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I want a future where my children feel safe and appreciated and proud to be who they are. My heart is one with all the Arab Spring heroes, no matter how small they think their role is. I know they believe, like me, that we are working for a world whereby an Arab can live with the other in a respectful and dignified way.
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I want to avoid injuries by running only road.
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I made a lot of money. I earned a lot of money with CNN and satellite and cable television. And you can't really spend large sums of money, intelligently, on buying things. So I thought the best thing I could do was put some of that money back to work - making an investment in the future of humanity.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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Soon, I'll be like all the others. The time will come for all of us, but the ideas of the Cuban Communists will remain.
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Happiness is nothing but temporary moments here and there - and I love those. But I would be bored out of my mind if I were happy all the time.
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I am a morning writer; I am writing at eight-thirty in longhand and I keep at it until twelve-thirty, when I go for a swim. Then I come back, have lunch, and read in the afternoon until I take my walk for the next day's writing.
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We have to honor our commitments to today's beneficiaries, but we can't solve the growing deficit and debt problems unless we are smart, courageous, and sensible in planning for future.
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I'm a big fan of all those singing competition shows.
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We have a history of great producers - ABBA and Max Martin - we have proof of people being successful from Sweden.
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It wasn't easy getting 'GoodFellas' started.
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Caltech was a meat grinder like I could never have imagined.
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I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
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... I can't work well under the conditions at Bell Labs. Walter and I are looking at a few questions relating to point-contact transistors, but Shockley keeps all the interesting problems for himself.
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When I on set as a director I crazy. My temper is not that good.
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I'm really kind of a little bit romantic for the lost era. There's a lot of us that are - kind like James Murphy, same thing - we feel like it's this magic era that happened before us. And it wasn't even necessarily disco.
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Just in terms of when I got the script, the character I probably liked the least was Big Foster. Because even though he was central to the story and to that world, he was really written to be kind of a brute, a pig, a completely black-and-white bad guy.
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Don't mess with me! I'm a black-belt!
