E. J. Bonilla Quotes
There are all very different directors. Some are more specific, some are calmer than others when the pressure is on, some use more colorful language and they all communicate differently. But they all have love and care in common. They are all artists. And they have voices that I believe shine through within their films. To add to that, as a director myself I have learned so much from all three. I would like to thank them for that.
Quotes to Explore
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I'm past my wooing days now. See, I am an honest person. If I like a girl, I will go and tell her.
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I was not so interested in night-after-night coverage of Michael Jackson's death or Britney Spears' latest breakdown - topics that were 'breaking news' at the time.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
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Christianity has stayed stable, as it must do. The doctrines don't change. The understanding of what it means to walk with God doesn't change. The reality of worship doesn't change, not at heart, anyway. So Christianity appears to be stuck.
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I will say this: I think 'Big Brother' is the biggest snooze known to mankind.
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We are not a TV station that only concentrate on those who are always under light. We are not a TV station for celebrities and for grand politicians and superstars. We are a TV station for the ordinary person. The normal people, ordinary people in the Arab world sees Al Jazeera as their voice.
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My plan is just to love harder than I've ever loved before, hide nothing, and embrace that I'm an imperfect human being. Oh, and sadness - sadness is everything.
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When I'm ready, I plan to adopt. I still believe in family.
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It's a trend to insult Wale, like that makes you cool on the Internet, and a part of it is because I respond.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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I'm cool with myself. If I can't have the body of Angie Bassett, so be it.
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My confidence is easy to shake. I am very well aware of all of my flaws. I am aware of all the insecurities that I have.
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I guess I say this for younger actors out there: you have to be brave, and you have to be ready to fail, and that's the only way you can be unique. So when a director is confident enough in what they're doing, and they allow their actors to be brave and bring in stuff, the more likely it's going to work out okay.
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People say you should go out at the top but I was enjoying my football so much. Robbie Fowler's exactly the same: he's not playing for money any more, he's playing for enjoyment. Why go out at the top if it's going to make you miserable? I just wanted to play as long as I could.
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You reach a point in your career when the weeks turn into a month or more of the phone not ringing.
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Most of us are not real eager to grow, myself included. We try to be happy by staying in the status quo. But if we're not willing to be honest with ourselves about what we feel, we don't evolve.
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Sometimes you have to be okay with what you are to the world, where you are in the world, and make the most of it.
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Death is frightening, and so is Eternal Life.
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I believe that I have been basically anarchistic, anti-religion and anti-industry and business. In other words, anti-bureaucracy. I would like to see people behave well without having to have priests stand by, politicians stand by, or people collecting bills.
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I write in English because I was raised in the States and educated in this language.
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What I don't underestimate is everybody's deal is different and everybody's deal makes it difficult. And so it is incumbent upon employers to create flexible work environments that allow people to fulfill their professional and personal lives in a way that works for themselves.
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The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
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There are all very different directors. Some are more specific, some are calmer than others when the pressure is on, some use more colorful language and they all communicate differently. But they all have love and care in common. They are all artists. And they have voices that I believe shine through within their films. To add to that, as a director myself I have learned so much from all three. I would like to thank them for that.
