Suga (Min Yoon-gi) Quotes
Quotes to Explore
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Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
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I usually say I left puberty at 58.
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Hip-hop is rich in musical allusion. It takes something that already existed, respects it, and reuses it.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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There is, therefore, no solution possible other than an economy directed by the workers through their organisations of control-through the workers' syndicates.
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I don't think I've ever sent a text to Gordon Brown because I'm confident that he would absolutely have no idea how to receive it. He barely managed to master WordPerfect 4.1.
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I build community. However, I do it wearing a number of hats.
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I still love recording and still love the stage, but like my dad, I have the most fun when I am in front of that glorious orchestra or that kick-butt big band.
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I have a personal ambition to live my life honestly and honor the true love that I've had and also the people I've had around me.
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Sometimes you resent the people you love and need the most. Love is so fascinating in all its forms, and I think everyone who has ever been a mother will relate to this.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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The more I talk about things, the more I understand myself.
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To succeed in business, to reach the top, an individual must know all it is possible to know about that business.
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I'm from working-class, blue-collar America, and I don't believe that people in that socioeconomic strata wait until they're 40 to have children.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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It was impossible to get a conversation going, everybody was talking too much.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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I don't even see it as cable TV anymore. I've been called 'Larry the Cable Guy' for so long, I don't even think about it being about cable. I don't know anything about cable.
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When forces of oppression come to maintain themselves in power against established law, peace is considered already broken.
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I truly find such a sense of peace and calm when I'm working, and it's an inner peace that I've never been ever to achieve, doing anything else. It's where I feel most myself. I can access my power and strength, as an artist, and I can't imagine not doing it. I love it!
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He who cannot love must learn to flatter.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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Love myself, love yourself, peace.
