Garth Risk Hallberg Quotes
For some reason, I spent my early thirties reading as much postwar Hungarian fiction as I could get my hands on.
Quotes to Explore
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I think downloading is both saving and killing the music industry at the same time.
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The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture.
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If a man reaches the heart of his own religion, he has reached the heart of the others, too. There is only one God, and there are many paths to him.
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'Giving 2.0' frames giving as a learning experience and encourages everyone to make giving a part of your year-round life.
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It's quite rare that you find models taken care of backstage.
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If you just storyboard something, you've already planned it, and you're stuck in the limitations of your imagination.
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I am very different to how people think I am. It's the characters I play that they are responding to.
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Our concern is to heal. Our concern is to bring together.
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I have odd thumbs that are extremely flexible. I can bend them quite far down the back side of my hand, basically the opposite side you'd even try to attempt bending your thumb. Because of that, I'm a very good thumb wrestler.
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In China, we don't know about the swimming pool game, but we know about Marco Polo.
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After I recovered from 'Lioness', I wanted to write something about animals because I really like mythical creatures, especially dragons. At 12, I was one of those semi-recluses who did better with animals than people. Out of that, came the character, Daine, who could communicate with animals.
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I love the creativity of New York, but I don't enjoy the city - I don't like living here.
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When my children were born, I didn't have them baptized because I felt baptism was about erasing Original Sin - something the Church said children got from their mother - and I absolutely refused to believe women carry Original Sin.
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As his talent expands, some of his stories become pointed social commentary; some are surprisingly effective religious tracts, disguised as science fiction. Others still are nostalgic vignettes, but under it all is still Bradbury, the poet of 20th-century neurosis.
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My heart is mysteriously alive in the world of sounds - a totally different dimension from the daily life.
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In many cases your imagination is much more effective than what can be shown. It primes you to know something is about to happen - the anticipation and anxiety is worse than what ends up happening.
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I don't harp on the negative because if you do, then there's no progression. There's no forward movement. You got to always look on the bright side of things, and we are in control. Like, you have control over the choices you make.
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My father is an Algerian, proud of who he is and I am proud that my father is Algerian.
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I loved singing rock-and-roll, jazz, anything on radio, anything commercial. I was able to do anything, but I didn't know what direction to go in.
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Begin each day with private reading of the Word and prayer.
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On the one hand I have a clear and distinct idea of myself, in so far as I am a thinking, non-extended thing; and on the other hand I have a distinct idea of body, in so far a this is simply an extended, non-thinking thing. And, accordingly, it is certain that I am really distinct from my body, and exist without it.
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I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.
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For some reason, I spent my early thirties reading as much postwar Hungarian fiction as I could get my hands on.
