Tom Stoppard Quotes
I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
Quotes to Explore
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The Carnegie Foundation is well aware of the fact that their reports frequently find their way to dusty archives in academic institutions, but occasionally people pick up a segment of a report and act upon it.
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I have an iPod, but I put my music in it from my CDs, and then I have that CD in my library.
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In 1949 - my father stayed on in Shanghai after the war. But in 1949, the Communists took over the whole of China, and in fact, my father was caught by the Communists in Shanghai. And he was there for about a year until he was finally able to get out.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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Every hero becomes a bore at last.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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First of all, I'm not the kind of guy that likes to rehash the show and so forth and so on.
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Everybody with a gun has a checkpoint in Lebanon. And in Lebanon, you'd be crazy not to have a gun. Though, I assure you, all the crazy people have guns, too.
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It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
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Several of the actors I've had the good fortune of working with stand out in my mind as 'ultimate'. I guess the obvious would be Tom Hanks, because he really is as fun and as genuine as he comes across in his films and interviews.
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A man seldom thinks with more earnestness of anything than he does of his dinner.
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I'm the Jerry Lewis of crime fiction.
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Whenever I did sitcoms, that always happened on your show. Once the show was on the air, it takes on a life of its own. It develops, and it becomes something else.
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As an actor, you always think that whatever job you have is going to be your last. In some way, shape or form, you think you're going to screw it up and you're never going to work again.
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The creative works of the entertainment industry belong to the millions of people who make them and are not for others to steal or unlawfully distribute.
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'FlashForward' was a really fun show to make. Not to mention, I only worked, like, one day a week, and it paid the same as 'Happy Endings.' I got to make out with beautiful women on that show as well.
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I've done a lot of roles where I'm the hero saving the planet.
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Falling out of love is chiefly a matter of forgetting how charming someone is.
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I guess that in a lot of ways, my writing is more of a character to me than something that I feel personally attached to.
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The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation's spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman's thoughts.
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I had to wait 110 years to become famous... I intend to enjoy it as long as possible.
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I don't think fame is that important to me.
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Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.
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I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
