Tom Stoppard Quotes
There we were - demented children mincing about in clothes that no one ever wore, speaking as no man ever spoke, swearing love in wigs and rhymed couplets, killing each other with wooden swords, hollow protestations of faith hurled after empty promises of vengeance - and every gesture, every pose, vanishing into the thin unpopulated air. We ransomed our dignity to the clouds, and the uncomprehending birds listened. Don't you see?! We're actors - we're the opposite of people!
Quotes to Explore
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There is this sense of David Cameron leading a Government that's badly out of touch with ordinary people's lives. I'd absolutely welcome the opportunity to show all political leaders what life is like for most people.
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I have been Fat Joe since I was a kid. It's always been my name and always will be.
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I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
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We see book-burning as a crime against humanity: it's intolerable because books represent a kind of freedom to us.
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I always put my fantasies in the realm of goals.
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I've got no respect for any young man who won't join the colors.
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Allow children to be happy in their own way, for what better way will they find?
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I've always been DJing; it's just I'm making more of a push for it, making it more public.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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The challenge of a cathedral is very good for architectural inventiveness.
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Controversy equalizes fools and wise men in the same way - and the fools know it.
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I don't know if I'm a tortured soul, but I was born heartbroken. I remember feeling it when I was so young. I was like, 'Mum, it hurts.'
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I always wake up 10 minutes before I have to be anywhere.
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As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
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I really fought to make my character not a stereotype. I play a soap star with dyed blonde hair.
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Mothers are not supposed to give guidance.
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Interestingly, I never thought I'd do an adaptation. I've also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, aren't they?
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I think my resignation was the only way to avoid bloodshed.
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There we were - demented children mincing about in clothes that no one ever wore, speaking as no man ever spoke, swearing love in wigs and rhymed couplets, killing each other with wooden swords, hollow protestations of faith hurled after empty promises of vengeance - and every gesture, every pose, vanishing into the thin unpopulated air. We ransomed our dignity to the clouds, and the uncomprehending birds listened. Don't you see?! We're actors - we're the opposite of people!
