Tom Stoppard Quotes
It's probably unprecedented for a filmmaker simply to take the writers' script and treat it as the instructions on the package. What really happens is you pretty much suppress your own instincts - and your own views on the matter - and write things the way filmmakers would like to have them, though the filmmakers often don't know what they want. They can only find out by reading what you do.
Quotes to Explore
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I love my work but do not know how I write it.
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I'll tell ya, when you open up that can of dab, it's always fresh.
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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The correct didactic analysis is one that does not in the least differ from the curative treatment. How, indeed, shall the future analyst learn the technique if he does not experience it just exactly as he is to apply it later?
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Let me just say as one who has been speaker of the House, I've had to have a very thick skin about every kind of thing that was thrown at me.
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These 'Sports Illustrated' people, they know how to hold a secret.
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Our fresh technical resources have furthered the disintegration of solid masses of masonry into slender piers, with consequent far-reaching economies in bulk, space, weight, and haulage.
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There are no opportune times for a penalty, and this is not one of those times.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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We have to be aware of our fragilities as human beings - when we see cruelty, to understand that in certain conditions, we could be cruel, too.
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I wouldn't say I was bullied, but I was definitely a bit of an outcast. It was more the kids thinking I thought I was cool. I started homeschooling in fifth grade, and I was much happier.
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.'
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I certainly don't have any boundaries myself, but I think I'm very aware of other people's.
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I like someone who's not afraid to be a kid!
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We had times in '66 and '67 when we would pick up a platoon of privates out of the receiving barracks the week before we even graduated the platoon that we were on!
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The Arab representatives and their followers were not interested in the persecuted millions throughout the world; they were fixed on a political agenda that distracted the world from their own serious shortcomings in the human-rights department.
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The city has to do what any citizen or family does, when you have a dream. You tighten your belt. You sacrifice some luxuries. Above all, you don't waste a dime.
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Anyone who thus looks up has some chance of becoming worthy to be looked up to in turn.
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I hate art auctions.
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I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
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My perfect day is constantly changing. Right now, it would be to lie around in a hammock reading with a portable phone and a table of food next to it. I would spend all day there. And that's all that I can possibly come up with on the spur of the moment.
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What I generally get from being in Africa is a sense of warmth and openness. As a stranger, you are always welcomed into people's homes and people are always offering you food. That generosity is incredibly touching.
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It's probably unprecedented for a filmmaker simply to take the writers' script and treat it as the instructions on the package. What really happens is you pretty much suppress your own instincts - and your own views on the matter - and write things the way filmmakers would like to have them, though the filmmakers often don't know what they want. They can only find out by reading what you do.
