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My work always tried to unite the true with the beautiful; but when I had to choose one or the other, I usually chose the beautiful.
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Left to themselves people are noble, generous, uncorrupted, they'd create a completely new kind of society if only people weren't so blind, stupid and selfish.
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For 10 years of my life, 3 times a day, I thanked the Lord for what I was about to receive and thanked him again for what I had just received, and then we lost touch and I suddenly thought, where is he now
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Act first! The ideas will follow, and if not - well, it's progress
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A foreign correspondent is someone who lives in foreign parts and corresponds, usually in the form of essays containing no new facts. Otherwise he's someone who flies around from hotel to hotel and thinks that the most interesting thing about any story is the fact that he has arrived to cover it.
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I'm going to be dead before I read the books I'm going to read.
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I began writing for theater, and maybe because of that I've always thought of myself as a theater writer who does work in film sometimes.
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Before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself.
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I don't write at the library, because I smoke when I work or would like the possibility of a smoke. Also, I need to be at my own desk.
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Poetical feelings are a peril to scholarship. There are always poetical people ready to protest that a corrupt line is exquisite. Exquisite to whom? The Romans were foreigners writing for foreigners two millenniums ago; and for people whose gods we find quaint, whose savagery we abominate, whose private habits we don't like to talk about, but whose idea of what is exquisite is, we flatter ourselves, mysteriously identical to ours.
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I never had any frustration about writing uncredited. I always felt that the satisfaction of doing it was in the doing of it, really, and getting recognised by the small number of people that know what you did.
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Words, words. They're all we have to go on.
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There is truth and falsehood in a comma.
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Personally I am in favour of education but a university is not the place for it.
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Life in a box is better than no life at all... I expect.
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I will take his secret to the grave, telling people I meet on the way.
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I feel overestimated.
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What are a friend's books for if not to be borrowed?
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We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.
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Real data is messy. ...It's all very noisy out there. Very hard to spot the tune. Like a piano in the next room, it's playing your song, but unfortunately it's out of whack, some of the strings are missing, and the pianist is tone deaf and drunk- I mean, the noise! Impossible!
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If you could stop every atom in its position and direction, and if your mind could comprehend all the actions thus suspended, then if you were really, really good at algebra you could write the formula for all the future; and although nobody can be so clever as to do it, the formula must exist just as if one could.
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A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
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It takes a lot of effort to be vibrant.
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Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.