Tom Stoppard Quotes
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
Quotes to Explore
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I've always had better luck learning things on my own. And I really love the challenge of doing it yourself and kind of being alone against the system.
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I'm big on manners. I'm big on politeness. I'm big on gratitude.
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Is there any more encouraging sign than to see an Indian, who has never been to a university, like our friend Mr. Asutosh Dey here, for example, carrying out original work and finding it recognized by the foremost societies of the world?
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Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.
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It's always cool to go to different places and see what's really out there in the world.
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I wonder now how tough you have to be to get big things done.
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Coming up with ideas isn't hard. The real challenge is finding the time to actually build something and then finding a home for it.
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I don't like to post fresh standup material, because I want to use it in a special. The stuff I like to post online I like to be off-the-cuff moments.
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I love people, and the hustle.
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I did not want to go out at 5:30 in the morning with my stocking cap and my navy pea coat on and shoot lines and grades for the rest of my life.
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I'm a plethora of stolen jokes and kitschy references.
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I would like to champion diverse forms like graphic novels and works told in verse and diverse writers and illustrators and diverse authors as well.
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Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.
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I don't feel under-taxed in any way at all.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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It's just a theory really, but I have always thought that your physical surroundings can shape your voice and personality.
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Every time you treat an Iraqi disrespectfully, you are working for the enemy.
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I'm a New Yorker, you know.
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I would like to explore comedy, I want to do more theatre, and I definitely want a future in film. I love science-fiction.
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I needed to put something together that would continually get me up at 4:30 in the morning, get me to work and get me excited to throw on those costumes - which clearly continue to excite me, if you are a viewer of the show - and circumstances that continue to surprise me and ask me to go places acting-wise that I haven't explored before.
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I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.
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I am not writing in metaphors. I am writing about catastrophes.
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Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
