Tom Stoppard Quotes
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I don't think Stoppardian has a precise definition.
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If an idea's worth having once, it's worth having twice.
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Normally, even if you're on the set for 12 hours, there may be only a moment or two when you are actually useful.
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Biography is the mesh through which real life escapes.
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I've lost all capacity for disbelief. I'm not sure that I could even rise to a little gentle scepticism.
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Art cannot be subordinate to its subject, otherwise it is not art but biography.
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An artist is the magician put among men to gratify - capriciously - their urge for immortality.
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Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
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You always end up with too much, so it's good to be part of the conversation about not just what you can omit, but how you are going to do the grammar of the omission, how you make things continue to work when there's something missing. It's your last chance to rewrite.
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Rosencrantz: Shouldn't we be doing something--constructive? Guildenstern: What did you have in mind? ... A short, blunt human pyramid...?
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We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
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From principles is derived probability, but truth or certainty is obtained only from facts.
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Maybe Napoleon was wrong when he said we were a nation of shopkeepers... Today England looked like a nation of goalkeepers.
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If you carry your childhood with you, you never become older.
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Good things, when short, are twice as good.
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It is a defect of God's humor that he directs our hearts everywhere but to those who have a right to them.
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It's where we're nearest to our humanness. Useless knowledge for its own sake. Useful knowledge is good, too, but it's for the faint-hearted, an elaboration of the real thing, which is only to shine some light, it doesn't matter where on what, it's the light itself, against the darkness, it's what's left of God's purpose when you take away God.
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Your opinions are your symptoms.
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the natural condition is one of insurmountable obstacles on the road to imminent disaster. strangely enough it all works out in the end... it's a mystery.
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Words are sacred. If you get the right ones in the right order you can nudge the world a little.
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It's not so much that I enjoy screenwriting, though mostly I do, but the difference is, with adaptations, somebody else has done the hard part - made up a story, provided the characters.
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I would join Sisyphus in Hades and gladly push my boulder up the slope if only, each time it rolled back down, I were given a line of Aeschylus.
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The trouble is, I can't find a part of myself where you're not important. I write in order to be worth your while and to finance the way I want to live with you. Not the way you want to live. The way I want to live with you. Without you I wouldn't care. I'd eat tinned spaghetti and put on yesterday's clothes. But as it is I change my socks, and make money, and tart up Brodie's unspeakable drivel into speakable drivel so he can be an author too, like me.
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Let me get it straight. Your father was king. You were his only son. Your father dies. You are of age. Your uncle becomes king." "Yes." "Unorthodox.