Tom Stoppard Quotes
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Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child
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Beauty is desired in order that it may be befouled; not for its own sake, but for the joy brought by the certainty of profaning it.
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I read for interest and enjoyment, and when I cease to enjoy it I stop.
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The names for things don't come first. Words stagger after, hopelessly trying to become the sensation.
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Every age thinks it's the modern age, but this one really is. Electricity is going to change everything. Everything!
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How the hell do I know what I find incredible? Credibility is an expanding field... Sheer disbelief hardly registers on the face before the head is nodding with all the wisdom of instant hindsight.
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Better a fallen rocket than never a burst of light.
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The universe is deterministic all right, just like Newton said, I mean it's trying to be, but the only thing going wrong is people fancying people who aren't supposed to be in that part of the plan.
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The bad end unhappily, the good unluckily. That is what tragedy means.
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If you were handed power on a plate you'd be left fighting over a plate.
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Suicide is no more than a trick played on the calendar.
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Happiness is equilibrium. Shift your weight. Equilibrium is pragmatic. You have to get everything into proportion. You compensate, rebalance yourself so that you maintain your angle to your world. When the world shifts, you shift.
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I don't keep a diary and I throw away nearly all the paper I might have kept. I don't keep an archive. There's something worrying about my make-up that I try to leave no trace of myself apart from my plays.
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We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
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We drift down time, clutching at straws. But what good's a brick to a drowning man?
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Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
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Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in. That's why you can't believe in the afterlife, Valentine. Believe in the after, by all means, but not the life. Believe in God, the soul, the spirit, the infinite, believe in angels if you like, but not in the great celestial get-together for an exchange of views. If the answers are in the back of the book I can wait, but what a drag. Better to struggle on knowing that failure is final.
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From principles is derived probability, but truth or certainty is obtained only from facts.
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When people discuss his plays, he says that he feels like he's standing at customs watching an official ransack his luggage. He cheerfully declares responsibility for a play about two people, and suddenly the officer is finding all manner of exotic contraband like the nature of God and identity, and while he can't deny that they're there, he can't for the life of him remember putting them there. In the end, a play is not the product of an idea; an idea is the product of a play.
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I don't think Stoppardian has a precise definition.
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Having translated two plays by Chekhov, and not speaking Russian myself - I cannot say one sentence. This may shock people... However, I am not shocked, as it is not hard to find out what the words mean.
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If an idea's worth having once, it's worth having twice.
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Traitors hoist by their own petard?--or victims of the gods?--we shall never know!
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The media. It sounds like a convention of spiritualists.